Busy Doing Nothing?

What do you do when you have unexpected free time?

As a child, I wandered about in nature. I daydreamed and I wrote stories and poems. I read and read and read. I crafted things of little use and nil longevity.

I’m not sure when this changed, but motherhood didn’t help. All of a sudden my days involved keeping someone else alive and maintaining shreds of my sanity. Later there were school deadlines, afterschool clubs, sports events – an endless set of things to remember, to chivvy about, to attend, to plan.

Then the children left home, and all of a sudden, for the first time in twenty years, I was sometimes free.

For a while, I found I’d lost the knack to do nothing, but now I’m finally getting the hang of it again.

Option One: Do Nothing while Doing Something

I used to work with someone who couldn’t see the point of reading. In our one hour lunchbreak, I would buy my lunch, have a potter round town, then come back and read. My colleague ate her packed lunch and then sit in silence until 2pm. I know people who can’t see the point of reading unless it’s ‘improving’ or religious books. Me, I’d read a bus ticket if it was all that was available. While I read plenty of non-fiction, my favourite ‘waste of time’ is fiction including children’s fiction. Do I always learn something? Who cares.

Art doesn’t normally count, but in 2023, Liz Hedgecock and I did a Louise Fletcher ‘Find Your Joy’ taster course. Its aim (broadly) was to free your mind from all its preconceptions as you played with abstract.

The first exercise was to dissect a large piece of paper with masking tape, select five colours, paint at random then removed the masking tape to reveal the result. This was my effort:

But I hadn’t played by the rules. I’d decided that I wasn’t going to waste paint on something pointless, and wanted it to represent something. (Can you tell what I was aiming for?)

Then I read some of the heartbreaking comments people posted in the accompanying social media group, struggling because all they could hear in their heads was someone (often a mother or mother-in-law) saying they shouldn’t be wasting time when they had homes and husbands to look after. At first, I felt a combination of sorrow and anger, then I realised that I myself had decided to give that the first exercise meaning because I was obviously listening to some internal voice (probably my own). After that, I did the exercises without planning and if I learned nothing else, it was to mute that inner critic.

(Today, in the interests of experiment, I did that first exercise again without any plan. This is the result, which has no meaning whatsoever but I somehow prefer).

Option Two: Really Do Nothing

Are you good at being still, maybe sitting/lying in nature watching trees or looking for shapes in clouds or staring into an open fire watching the flames flicker?

As a fidget with a butterfly brain I am terrible at it, unless I’m staring at the sea or a river. My mind wanders or I’ll amble off to do something else. But a couple of Christmases ago, exhausted, I had the chance to try out a Virtual Reality headset where I could ‘stare at the stars’. I put on some ambient music, lay back on the sofa and inhabited that non-existent space for half an hour, emerging unbelievably refreshed.

Is Idleness Wrong?

Some feel that spare time should be filled with learning if nothing else, because doing something without a purpose is a waste of time. It’s perhaps a throw back to a fear that ‘the devil will find work for idle hands’ and that a bored unoccupied person is at best of no use and at worst potentially evil.

Personally I never feel like I have to educate myself if I don’t want to. While on holiday for example, I’m happy soaking up the atmosphere and people-watching. To me, this ‘doing nothing’ is highly valuable, not just as a writer, but as a human. To observe people makes them real and not abstract.

And think of all those ‘idlers’ who changed the world for the better. Admittedly a lot of them were wealthy and someone else was doing the laundry, childcare and dinner prep, but all the same – they sat and observed, they experimented, they wrote down ideas and we ended up with novels, art, steam engines, radio etc etc.

In her novel ‘Early in Orcadia’, Naomi Mitchison imagines the discovery of the Orkney Islands by a group of pre-historic people. It starts with an old (by their reckoning) man who has survived so many challenges that he is honoured with the right to do nothing. Because he has the time to sit and think as he watches the sea, he realises there is something out there to investigate. In the same group is a woman who is so constantly busy with keeping her family alive that she never ‘does nothing’. Once in a blue moon she looks at wads of wool picked off thorn bushes, convinced that there must be something useful to do with it, but has no time to figure it out.

One discovers something by ‘doing nothing’. The other will only discover how to weave if one day she able to ‘do nothing’.

Yes, evil can come from idle hands, but so can creativity. Our world is absurdly busy and increasingly stressful and we need to rest to cope with it.

So don’t listen to a voice that tells you something joyful or restful is pointless. Don’t be afraid to do nothing. It will always be ‘something’ really and your mind and spirit will thank you for it.

(PS – if you want to see Liz’s art website, click here)

(PPS – don’t panic, the people in the sketch below are alive and well – they were doing yoga!)

Words and images copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI).

Obstacle

‘Don’t touch it!’ says Norindis. ‘It’s manmade.’

We all look at the rock blocking the crossroads. Thrust into its centre is a large sword, its blade engraved in some unknown script.

‘How do you know it’s manmade?’ I say. ‘Maybe some other otherworld being did it.’

‘An elf like us would have put that sword in straight and enchanted it with proper runes that appear and disappear according to how annoying we want to be.’

Brendillion scratches his ear. ‘Tons of our stuff is manmade. That’s why we lure humans here, isn’t it? So they work and we don’t have to.’ He gives me an awkward smile. ‘Sorry Astrillia… you know what I mean.’

‘We don’t keep humans to do this sorta stuff!’ Norindis flicks the leather bound hilt and makes the sword twang. ‘And this is iron. How’m I gonna get my unicorns past? Flaming humans – coming here, polluting our… highways.’ He twangs the sword again.

Brendillion tenses, ready to dive in before Norindis gives it a third twang and releases something we can’t control.

‘Which human?’ he ponders. ‘We haven’t got many now apart from those hippies we nabbed at Woodstock in 1969 who think they’re still there.’

Pandotha frowns. ‘We’ve got a shedload of “misunderstood” teenagers.’

‘They’re useless,’ argues Brendillion. ‘We’d send them back if their parents didn’t prefer the changeling replacements.’

‘So it’s one of us,’ I insist.

‘No,’ Norindis snaps. ‘It’s manmade.’

At this point my human husband Derek appears. His only magic skill is making my heart flip when I see him, even after ten years. He wandered into our realm by accident and stayed by choice.

‘Wotcha Nobby,’ he says. ‘What’s with the new street furniture?’

Norindis clenches his fists. ‘Address me properly, stinking human!’

Derek makes a flourishy bow and declaims ‘Greetings Nobby. What wisdom too deep for my human brain has led to this impediment to traffic?

Norindis roars. ‘How’d you do it eh? Why’d you do it?’

‘Not me,’ says Derek. He inspects the stone. ‘Excali….Interesting,’ he says. ‘Hundreds of years ago, a boy pulled a sword out of something like this.’

‘An elf?’ says Pandotha.

‘Human,’ says Derek. ‘He’s supposed to come back if the world got into a pickle again, which…’

Norindis spots a teenage humans slumped in torpor against a tree staring into an object no amount of magic has yet prised from his hand. ‘You! Come here! Pull this out.’

The boy looks up and whines. ‘Why me? It’s not faaair! Don’t wanna.’

‘Tsk,’ says Derek. His eyes suddenly sparkle, his hand stretches out…

I can see what’s in Derek’s mind: us riding into the city on glimmering horses to… disappear into an angry world of iron. I reach to stay his hand but he’s withdrawn it.

‘No,’ he says, the sparkle fading. ‘This is bad magic. It’s not a sword that’ll put things right now. Besides,’ he glances at the truculent teenager, ‘You just can’t get the Once and Future Kings anymore, can you?’

Words copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI). Image credit Sword in the Stone Excalibur Stock Image – Image of magic, rock: 78763523

Barnet Fair (1)

When I was a teenager agonising over my hair, my paternal grandmother told me about her brother cutting hers when she was around the same age

At the time of this conversation my own hair was long, straight and mousy-brown. In theory it had been in fashion for a while (although it would have been more fashionable if blonde), but somehow it – along with me – never was. Now, a new fashion was coming in: shoulder length with curled sides. I needed a good hairdresser, possibly a perm and definitely curling tongs. None of these were things my mother thought worth spending money on. She considered me too young for a perm, could trim my hair herself and from bitter experience suspected it would take more than curling tongs to curl my hair.

‘I rather regretted letting him do it,’ said my gran, touching the nape of her neck where there were some adorable grey curls sticking out.

This stopped my whinging in its tracks. While my sister and I are now best of friends (which we weren’t at the time), I still wouldn’t trust her with my tresses and a pair of scissors. And what I knew of friends’ brothers, I definitely wouldn’t have trusted them.

‘Whatever did he do?’ I said.

‘It wasn’t his fault,’ she said. ‘He did what I asked him to.’

Halted in my tirade against parental unreasonableness, I asked the obvious question: ‘Whatever did you ask him to do?’

‘Bob my hair,’ she said. ‘My parents wouldn’t allow it. The bit where he shaved at my nape has never quite grown right since. Before my parents found out, I sold a lovely necklace I’d been given so I could go to a barber and have it done properly. They were horrified all the same, even though my mother once did something similar.’

Her parents were horrified? So was I. My gran was the archetypal housewife. She had married young, had never had to work for a living and never had an urge to. She’d fallen happily into running a home efficiently and well. She gardened, styled her home, baked and sewed with high skill and also joy. She was calm, conforming and believed in obedience and the status quo. The last thing I could imagine her doing was anything that horrified anyone. But what did she mean about her own mother ‘doing the same’?

It turned out that it all went back to cultural perceptions of femininity, modesty, and being a good Christian woman which we’ve now largely put aside.

My great-grandmother was in her late teens in the 1890s, one of the youngest of eight (I think) children. Her father would have been well into his sixties. While not remotely poor, they certainly weren’t in the ‘going to balls’ class, so when she obtained a party dress which exposed lower arms and neck, her father was apparently horrified. (Although I have a photograph taken of her in this extremely modest – by today’s standards – dress, so she must have been forgiven.)

Her daughter, my grandmother was the youngest by far of four, a teenager in the 1920s. The brother who cut her hair must have been a good six years older, since the eldest one had been killed in WWI. Their father would have been in his fifties and her mother in her forties. Bare lower arms and neck were one thing. Short hair and short skirts were something else altogether.

But WWI had accelerated what had already started in the 1910s – more sensible, practical clothes and hairstyles for women – and by the 1920s there was no going back. My great-grandparents forgave her. It was a very loving and accepting family, and they must have realised that the world was never going to be what it had been before the Great War and that fighting over the length of someone’s hair was pointless. Plus Gran had a married sister who was eleven years older and probably took her side.

The whole conversation came back to me recently as I started writing a new project: a mystery set in the 1920s where the female main character is twenty-three. She hasn’t had her hair cut into a bob yet but a number of the other female characters have. (At the time, you went to a barber to have it done, holding a page from a newspaper with possible hairstyles in your shaking hand.) Will she get it cut or not? Haven’t decided yet.

I don’t think having her hair bobbed was Gran’s only rebellion. I believe that there was some concern about her marrying my grandfather. It wasn’t because he was unsuitable in any way as a person, or is family was less than acceptable. I think it was because there was a possibility of mental illness in his family since his father had tragically died by his own hand. Somehow my grandparents prevailed, otherwise I wouldn’t be writing this.

I never did get that fashionable curled sides hairstyle while it was still in fashion and stopped nagging my mother. Perhaps I realised maintaining it required more skill than I had (or would ever have).

At Christmas, some months after the conversation I’m relating, my paternal grandfather unexpectedly died. A little after a year after that my paternal grandmother did too. We’ve always felt that a broken heart was more of a cause than anything medical.

For reasons I still can’t explain, one of the first things I did in my grief was to demand to go to a hairdresser, where I had my long hair cut into a short bob. Ever since then, my hairstyle had been fundamentally one of three styles: long and straight, long and permed, or in a bob.

But for the record, so far I haven’t got my sister to do it, and no one has ever taken a razor to the back to create the adorable curls that stuck up at a funny angle which my grandmother had.

(NB for anyone not in the know, Barnet Fair is Cockney Rhyming Slang for Hair. And I will be writing more about the subject.)

Words copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI). Image credit Vector Set of Different Flapper Girls Icons in Modern Flat Style Isolated on White Background. Stock Vector – Illustration of hair, face: 87491137

Safe and Secure

Imagine the town as a circle dissected roughly south east to north west by a road which came up from the cathedral city eight miles south. It snaked briefly past Tudor, Georgian and Victorian houses a Norman church, and Edwardian ones before eventually heading out into the wilds of the next county.

On the eastern side of the town, the land rose slightly. The latest housing estate now butted against gentle slopes and no doubt would eventually breach them. On the western side, the bypass ran in a curve, parts of it using the flat even ground which had once been the railway.

Centuries ago, the town had had a wall and a gate. Somehow, the landscape still girdled it as if they’d never gone.

There was little to do there apart from have your hair done, check out the estate agents, go to the mini supermarkets, see your solicitor and get a drink in one of three pubs before going home with something from the Indian or the Chinese or the chippy.

My boyfriend was a local, with ancestors buried a thousand years deep or more in the graveyard, while mine faded away in every corner of the Britain and Ireland and a little beyond. I was an incomer, commuting daily to the city for the last six months; gasping for air on a smoky bus which wound its way through hamlet after hamlet via lanes edged with fields and trees and wild garlic.

Travelling to visit relations or drives just for the sake of it, formed my earliest memories. I had never lived anywhere longer than ten years. Yet I’d been wondering if I’d found somewhere to put down roots. And then came evening.

Feeling restless, I’d made him walk to the southernmost boundary and stood slightly apart staring to the south, imagining the endless possibilities offered by the city’s railway station.

‘I really want to take a train somewhere,’ I said.

‘Where?’ He was baffled.

‘Somewhere, anywhere, it wouldn’t matter.’

‘Why?’

‘I don’t know. Why not? Just for a change.’

‘What’s wrong with here?’

I’d offended him.

‘Why travel for no reason?’ he persisted. ‘It’s safe and secure here. Everything’s as it always has been.’

He put his arm round my shoulders and steered me away.

Yes, those town walls had long fallen down or been plundered for building material, and the town gates had long since rotted. But just then, as my boyfriend led me back to town, his arm felt like an enclosing wall and his words like the closing and locking of a solid gate.

In that moment, as we walked into the town’s smothering embrace, I knew I would never be able to make him understand about the train or that his idea of safety was my idea of stagnation.

I turned my head back to the open road. It was still calling. And one day, I’d leave alone to become an incomer again somewhere else.

Words copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI). Credit for image: ID 330443752 | Woman © Anker | Dreamstime.com