Some people describe me as talkative, others as reserved.
When I was a child, elderly female relations seemed unable to decide if I should talk or hold my tongue. I was either told to stop whispering and speak so that people could hear me or told that children should be seen and not heard. Teachers sometimes made me stand facing a corner because they said it was the only way to make me keep quiet. Other times, they’d be annoyed because I didn’t answer questions.
But to be honest, it’s true: sometimes I talk too much, and I don’t always know how to stop either.
At parties however, I’m often considered withdrawn to the point of appearing to be in pain. I can’t help it. If the environment is too noisy, my brain tries to tune into forty conversations at once and if I can force it to concentrate, while I’m happy to discuss something concrete, small-talk leaves me mentally blank and desperate to hide in a corner with a book.
Then of course there’s the very good chance I’m quiet because I’m day-dreaming and therefore have no idea what anyone is saying. (This will happen particularly when people are discussing sport, celebrities or fashion – and, I confess, sometimes during work meetings.)
I’ve developed a range of hopefully intelligent sounding non-committal noises for when I’m suddenly asked for an opinion but to be honest, I’m not sure people are often convinced by them.
While I couldn’t discuss anything very personal, I’ve been giving presentations for years inside and outside work and I’m happy to give talks about my writing.
I set Murder Durnovaria in Roman Dorchester which is less than twenty miles from where I live. When it was published in late 2019, I anticipated local author events in 2020. Well, we all know what went wrong there.
My new book Murder Saturnalia, which is due out in two weeks, is set in a fictional place but based on somewhere very local. I initially hoped that maybe, just maybe I might get a chance to do an author talk in my home town at least. But of course, it’s still impossible.
However, technology proved a possible solution. One of the weirder bonuses of lockdown has been that because all my work meetings are now held via Microsoft Teams, and because the only way to meet with friends and relations is by FaceTime, Messenger, Skype or Zoom, I’ve become used to video technology in a way I never would have endured a year ago.
Before lock-down, I hated video calls, even with family. But this year, faced with a book coming out and no way to hold any kind of talk, I asked friend and fellow local author Sim Sansford if he’d interview me via Zoom to see if it would work. It wasn’t just for my benefit, it was also to see if it might be an approach to involve other authors in an online version of the local literary festival with which we’re both involved.
So without further ado, here’s the result. If you want to know what I sound like and look like (particularly when I’m pulling faces while thinking), who my characters are based on (if anyone) and what my latest plotting technique is, here goes.
Go on, give it a listen. No-one who’s seen it has made me stand in a corner so far, so it can’t be that bad.
Words and photograph copyright 2021 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission. Credits for images used for Murder Saturnalia: Ruins of Pompeii, Italy Photo 74409584 © Yi Liao | Dreamstime.com Figure of a woman painted in a Fresco in a Domus of Pompeii ID 143271565 © Floriano Rescigno | Dreamstime.com