Bus-stop on a Rainy Day

The zip broke and Jake’s portfolio exploded just as some swine swerved to speed through the puddle near the bus queue.

Rain had already leaked through the gaps and soaked into the cheap seams. Muddy, grimy road-water just added an extra patination to his paintings. The handles slipped as he struggled to hold the portfolio closed and save his work. With rain pouring, no-one could realise that all the tears Jake had dammed up since the tutorial had finally burst their banks and were running down his face.

‘You kids think you know everything,’ said a damp old man ahead of him in the queue. ‘Anyone with half a brain would’ve brought an umbrella.’ He leaned forward, water dripping off a massive, ancient green contraption as he stared into the portfolio. ‘What’s that? Modern art? Bit of rain might improve it.’ He snorted at his own joke, shoulders heaving and more water dislodged in lumps, tipping onto the paintings and sketches. He looked beyond Jake to whoever was behind him. ‘And here’s another one. Umbrella’d spoil what you call your style would it? What are those badges you got pinned on? Save the rainforest? Save the monkeys? They should save you. Even monkeys have got the sense to hold leaves over their heads when it’s raining.’ 

Jake turned so see Cait from college. Cait, who’d glared at his exhibition as if wanting to set it alight with her eyes. He’d wanted to ask why his work annoyed her but as she stood scowling on the slick pavement with her arms akimbo, he knew she must feel like his tutor did. That his art was ‘Too nice. Too hopeful. Not despairing enough.’  Her glare encompassed him and the old man in disparagement of the male sex or possibly the entire human race, then she shoved her hands in her pockets.

Cait hunched in her jacket. The rain had long since soaked all the way through the cloth and she was aware of damp skin cooling. She was unable to suppress a shiver. Even the fortress of her boots had been breached when the motorist went through the puddle. She’d reached out to help with Jake’s portfolio, her hands mottled and blue, but the old man’s words stung. What you call your style…even monkeys have got sense… Why couldn’t people understand? There was so much to sort out – the mess former generations had left through arrogance, ignorance, selfish disregard for the world. The issues were a drowning flood. Cait lay half-awake most nights nearly engulfed by them, trying to dam and steer and navigate those tumbling waters. But she had to push off from the shore and do something, not just drink and eat and sleep her way through life in blind hedonism while the world disintegrated around her. She wanted to save it all – the clean air and the oceans and the animals and even the people who mocked her. She wished she could express what she felt – be kind, be gentle, embrace the sun and the rain and the moon and the sea and the being alive – but her thoughts just came out as furious nonsense. Not like Jake – his art summed up everything she thought. When she’d seen his exhibition she’d wanted to lose herself in his pictures: beauty, joy, hope. She’d wanted to tell him but the words just wouldn’t come. He’d just think her stupid.

Bill had turned to look up the road. He was cold, jealous of the young blood of the two kids who would dry out and forget the rain in no time. Bill was warmed only by thinking of Judith. He was like someone who’d lost a limb but could still feel it aching. Judith wasn’t there but he knew what she’d say, could sense the weight of her arm hooked through his.

But her voice in his mind was disappointed. That was unkind. 

‘Kids should make more of an effort,’ he whispered. ‘Like we used to. Nowadays they’re proud to wear secondhand clothes and have rat-tail hair. Not like you. You were never less than immaculate. Right …. up to the end.’ He swallowed. 

Go on with you, Judith giggled. Remember what the old folk said about our fashions when we were their age? And the girl cares about things. Just like we do.

‘It’s a waste of time. Nothing changes.’

We said we’d never give up hope.

They’d met in the rain on a nuclear disarmament march in 1958. Her umbrella had blown out of her hands as she struggled with a banner and a pet dog sheltering inside her jacket. Dead soft, was Judith. Fierce as a lioness but underneath…

Bill remembered a holiday in the 1960s. Walking along some promenade, they’d passed a hurdy-gurdy man with a dancing monkey, its puckered woebegone face sucking any joy from the tune. 

‘Poor little thing,’ Judith had said. ‘It’s cruel, that’s what it is.’ She’d cried a little and in the middle of the night, Bill agreed to buy the creature and keep it for a pet. But next day, the hurdy-gurdy man and monkey were not to be found.

Perhaps the angry girl was just another Judith. And when had it ever been more important to look right than to do right? 

Umbrella, Judith whispered. 

‘What?’

We always kept a spare folding one in the shopping bag. Give them the old one – you don’t need anything that big anymore.

Bill swallowed, then straightened his shoulders before turning.

‘Sorry,’ he said. ‘Just lost my wife, but it’s no excuse.’ He held out the old battered umbrella he’d had since 1958 and nodded at the portfolio. ‘Take this – protect some of that art.’ Then he gave Cait a trembling smile. ‘Forget what I said. There’s always hope. This umbrella’s big enough for two. Perhaps you’ve got ideas to share. Someone’s got to save the world. It wasn’t me and Judith. But maybe it’ll be you.’

rainy bus stop

Words and art copyright 2020 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission.

At The Gallery

She came out of her reverie as if she had surfaced from the depths of a silent lake. Her ears filled with shrill chatter and her eyes were overwhelmed by the vibrancy of the paintings and sculptures around her, the designer clothes, the make-up; jewellery sparkling.

Someone put a glass of champagne into her hand. She looked into the rising bubbles:
one pop,
two, three pop,
four, five, six pop.

She didn’t drink from it.

“I didn’t realise it was you at first,” said the man who had given it to her, “I didn’t know your married name. Can you believe how long it is since art college? You’ve hardly changed a bit.”

He paused to sip. She smiled at him, trying to focus on his name badge without too obviously staring at his chest.

“Great pieces,” he went on, sloshing champagne as he waved his arm to indicate the paintings behind her, “your style has matured. There’s a kind of… mystery about them. What was your inspiration?”

She turned to look at the huge canvasses, their drowning blues and tangling greens, the hint of silver just out of reach. She yearned for silence and shrugged.

“Sorry, sorry, I should know better than to ask a fellow artist to talk about their work, it makes you cringe doesn’t it?” he hooked his arm into her elbow, “but I’ve got to ask, what do you think of my stuff? I think I’ve grown out of that self-absorbed young man you probably remember. This one is called..”

His voice blurred as she gazed at the sculpture he was drawing her towards. The people in the room moved in a misty stylised dance, their voices becoming incomprehensible as if a radio was picking up a distant foreign language broadcast.

Champagne slopped over the side of her glass.

Who is he? she thought.

Then she thought: for that matter, who am I?

 

abstract

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission