Stirring

After breakfast, I sit with my tea next to an old fireplace in a renovated ancient cottage.

The small log burner under the chimney is redundant on a summer day. Once, I muse, there would have been an open fire for heating and cooking. A kettle and pot would have hung from trammel hooks over the flames, a small oven might have stood to the side.

It’s hard to imagine this tiny house with more than two people inside. Downstairs, there’s barely room for a table, two chairs, two armchairs, a dresser, a two burner hob, fridge (with microwave atop) and large sink. A large, low double bed fills the attic upstairs. A pleasant shower room has been built, adjoining the lower floor.

My husband and I, our laptops, tablets, phones, leads and books fill the place.

I sip tea, and scroll through reels on social media, musing. This cottage would have been home to a poor family once. Now it’s for holiday makers. Where I sat idle in an Ikea armchair, a woman would have bent, stirring the pot in the fireplace, sweating because even in August, food still needed to be prepared, a family still needed to be fed.

Surely she’d only have had a dresser, table and chairs. No armchairs, no labour-saving devices, no sink. Apart from the river, where was her water supply? A long early morning walk perhaps? Maybe she cared for an elderly relation who watched as she worked with children at her feet, a baby in her belly while a husband waited to be fed.

I scroll and come across a video.

Someone is reconstructing ‘mud cookies’ also called ‘bonbon tè’. I unmute my phone. It’s a Haitian famine recipe made of mineral-laden mud mixed with salt and a little fat then baked in the sun.

Appalled, I watch the maker taste them.

‘They’re so salty,’ she says. ‘They suck all the moisture out of your mouth.’

The fireplace rattles.

I look at it. Nothing is moving. But the noise is there.

Shaking myself, I scroll on and come across a thread about secrets. Some are appalling. Some need reporting. One says ‘My husband works all the hours but doesn’t make enough to feed us all. I pretend I’ve eaten when we have dinner. I don’t want to make him feel a failure. Sometimes I’ve had nothing to eat but toast and black coffee all day.’

How can it be that a woman in a developed country in 2025 is doing what women did a hundred years ago and more – try to survive on next to nothing so that her husband, children and dependent elders can eat?

The fireplace rattles again.

There is no wind to come down the chimney. There is no traffic on the narrow country road to vibrate the house.

There is just an old fireplace and the ghosts of women who stirred the pot in the fireplace beside me while their stomachs rumbled.

And they have not forgotten.

Words and image copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI).

Obstacle

‘Don’t touch it!’ says Norindis. ‘It’s manmade.’

We all look at the rock blocking the crossroads. Thrust into its centre is a large sword, its blade engraved in some unknown script.

‘How do you know it’s manmade?’ I say. ‘Maybe some other otherworld being did it.’

‘An elf like us would have put that sword in straight and enchanted it with proper runes that appear and disappear according to how annoying we want to be.’

Brendillion scratches his ear. ‘Tons of our stuff is manmade. That’s why we lure humans here, isn’t it? So they work and we don’t have to.’ He gives me an awkward smile. ‘Sorry Astrillia… you know what I mean.’

‘We don’t keep humans to do this sorta stuff!’ Norindis flicks the leather bound hilt and makes the sword twang. ‘And this is iron. How’m I gonna get my unicorns past? Flaming humans – coming here, polluting our… highways.’ He twangs the sword again.

Brendillion tenses, ready to dive in before Norindis gives it a third twang and releases something we can’t control.

‘Which human?’ he ponders. ‘We haven’t got many now apart from those hippies we nabbed at Woodstock in 1969 who think they’re still there.’

Pandotha frowns. ‘We’ve got a shedload of “misunderstood” teenagers.’

‘They’re useless,’ argues Brendillion. ‘We’d send them back if their parents didn’t prefer the changeling replacements.’

‘So it’s one of us,’ I insist.

‘No,’ Norindis snaps. ‘It’s manmade.’

At this point my human husband Derek appears. His only magic skill is making my heart flip when I see him, even after ten years. He wandered into our realm by accident and stayed by choice.

‘Wotcha Nobby,’ he says. ‘What’s with the new street furniture?’

Norindis clenches his fists. ‘Address me properly, stinking human!’

Derek makes a flourishy bow and declaims ‘Greetings Nobby. What wisdom too deep for my human brain has led to this impediment to traffic?

Norindis roars. ‘How’d you do it eh? Why’d you do it?’

‘Not me,’ says Derek. He inspects the stone. ‘Excali….Interesting,’ he says. ‘Hundreds of years ago, a boy pulled a sword out of something like this.’

‘An elf?’ says Pandotha.

‘Human,’ says Derek. ‘He’s supposed to come back if the world got into a pickle again, which…’

Norindis spots a teenage humans slumped in torpor against a tree staring into an object no amount of magic has yet prised from his hand. ‘You! Come here! Pull this out.’

The boy looks up and whines. ‘Why me? It’s not faaair! Don’t wanna.’

‘Tsk,’ says Derek. His eyes suddenly sparkle, his hand stretches out…

I can see what’s in Derek’s mind: us riding into the city on glimmering horses to… disappear into an angry world of iron. I reach to stay his hand but he’s withdrawn it.

‘No,’ he says, the sparkle fading. ‘This is bad magic. It’s not a sword that’ll put things right now. Besides,’ he glances at the truculent teenager, ‘You just can’t get the Once and Future Kings anymore, can you?’

Words copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI). Image credit Sword in the Stone Excalibur Stock Image – Image of magic, rock: 78763523

Safe and Secure

Imagine the town as a circle dissected roughly south east to north west by a road which came up from the cathedral city eight miles south. It snaked briefly past Tudor, Georgian and Victorian houses a Norman church, and Edwardian ones before eventually heading out into the wilds of the next county.

On the eastern side of the town, the land rose slightly. The latest housing estate now butted against gentle slopes and no doubt would eventually breach them. On the western side, the bypass ran in a curve, parts of it using the flat even ground which had once been the railway.

Centuries ago, the town had had a wall and a gate. Somehow, the landscape still girdled it as if they’d never gone.

There was little to do there apart from have your hair done, check out the estate agents, go to the mini supermarkets, see your solicitor and get a drink in one of three pubs before going home with something from the Indian or the Chinese or the chippy.

My boyfriend was a local, with ancestors buried a thousand years deep or more in the graveyard, while mine faded away in every corner of the Britain and Ireland and a little beyond. I was an incomer, commuting daily to the city for the last six months; gasping for air on a smoky bus which wound its way through hamlet after hamlet via lanes edged with fields and trees and wild garlic.

Travelling to visit relations or drives just for the sake of it, formed my earliest memories. I had never lived anywhere longer than ten years. Yet I’d been wondering if I’d found somewhere to put down roots. And then came evening.

Feeling restless, I’d made him walk to the southernmost boundary and stood slightly apart staring to the south, imagining the endless possibilities offered by the city’s railway station.

‘I really want to take a train somewhere,’ I said.

‘Where?’ He was baffled.

‘Somewhere, anywhere, it wouldn’t matter.’

‘Why?’

‘I don’t know. Why not? Just for a change.’

‘What’s wrong with here?’

I’d offended him.

‘Why travel for no reason?’ he persisted. ‘It’s safe and secure here. Everything’s as it always has been.’

He put his arm round my shoulders and steered me away.

Yes, those town walls had long fallen down or been plundered for building material, and the town gates had long since rotted. But just then, as my boyfriend led me back to town, his arm felt like an enclosing wall and his words like the closing and locking of a solid gate.

In that moment, as we walked into the town’s smothering embrace, I knew I would never be able to make him understand about the train or that his idea of safety was my idea of stagnation.

I turned my head back to the open road. It was still calling. And one day, I’d leave alone to become an incomer again somewhere else.

Words copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI). Credit for image: ID 330443752 | Woman © Anker | Dreamstime.com

Archer

The sky had lightened but the sun had not yet risen.

I’d been awake all night, pacing, pacing. So while it was still not yet light, I walked from my house and out of town and up the hill fort. Perhaps in that ancient place when the sun rose, my world would make sense again.

Near the summit I saw a man and he saw me. 

He was naked, crouching behind the rock and so still, I’d perceived him as part of the landscape as I climbed. If he was as startled as I was, he said nothing.

I paused, uncertain. My heart thudded and my mouth dried. I was a long way from anywhere and I was alone.

I realised he was appraising me and I wondered how long he’d been watching my approach. As he scanned me from head to toe, no expression crossed his face apart from a tiny frown, and then he appeared to dismiss me from his interest as he turned his gaze to the east.

He was very still.

I thought: should I carry on up to the lonely summit, or turn and hike down the lumpy tummocky slope? He could outrun me either way.

My office legs were tired and my calves ached. I was conscious of the softness of my arms and skin. 

Blinking in the thin light, I stared at him. I’d thought he was naked but now realised he wore some kind of leather trousers. Curved against his chest was a bow. His face, chest, arms were tanned and begrimed. His hair and beard were dark and tangled. His feet were dusty and hard. 

A bird called behind me and he looked towards it and reached for the bow. His eyes caught mine as he knocked the arrow.  I could not hear the bird anymore, just the distant bleating of sheep rushing to the east. Was it the bird he was aiming at? 

I could not move. The arrow pointed towards me but I could not move. The man’s arm drew back and the sun rose. And the sun rose and the sheep bleated and the birds sang and there was no man. The sun rose and the sky lightened and I was staring at a rock. No, two rocks, one curved, one angular.

And I was alone.

Words copyright 2021 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission. Photo 62385734 © Helen Hotson | Dreamstime.com

Rooftop Dragon

Aerwin called it yoga.

He could hold a pose for weeks, his gaze fixed, his breath so shallow it couldn’t disturb a feather. Through his toes, he felt hard ridged tiles and soft lead. He was aware of his stomach’s slow digestive churn, his low patient hunger, and his mind, like a diamond: sharp, sparkling, clear. 

A long way below and across the road, tourists queued to enter the Abbey, snaking along cool, hallowed paths out onto the hot, secular pavement. Never had so many people wanted to get into a place of worship at the same time without a national emergency, a royal wedding or a legal obligation. The tourists chatted in a million languages, took a billion selfies and seeped one by one in through oak doors out of Aerwin’s sight.

Some of them looked tastier than others. 

Occasionally one would notice Aerwin and take a photograph. They called him a statue of a dragon. Aerwin called himself a dragon who was expert at keeping still. 

How he missed the fogs and smogs of the past, when he could swoop down, carry someone off under cover of gloom and sit amongst chimneys to crunch them up. Everything had been ruined since they banned coal fires and leaded petrol to clear the skies. Nowadays there was no chance of snatching a meal unseen in daylight.

Aerwin contemplated the tempting line of juicy humans. He only really hungered for bullies and louts and could spot them in seconds. He argued that roosting on the Supreme Court from time to time had imparted a sense of justice but truthfully, to a dragon, the flavour of nastiness is nectar. 

Even so, his stomach ached as he peered at the potential feast. In the old days, people were scrawny. Now they were fat and shiny from constant shovelling of snacks as if preparing for famine. Delicious.

Aerwin let one drop of saliva wet his lips.

His gaze drifted south from the Abbey, over the tourists, over the commuters to the crenellated Parliament building where he normally roosted inconspicuous among the gothic carvings. Unfortunately right now, the roofs and turrets were covered for renovation. Aerwin gave a tiny sigh. Such rich pickings missed: if he wanted to munch on the tastiest bullies and louts Parliament was the place to be.

The drop of saliva fell onto a commuter scurrying along the pavement. She looked up in surprise at the dry old building under a cloudless blue sky then shrugged and rushed away, without appearing to wonder why a stone dragon nestled out of symmetry with carved muses.

With a susurration like stones slithering down slate, the Muse of Justice whispered ‘Aerwin, stop drooling. We’ve told you before: you mustn’t eat people.’

‘Don’t want people,’ muttered Aerwin, ‘want politicians.’

The Muse tutted and rolled her eyes.

Aerwin let his tongue flicker, his tail twitch. Then he and the Muse settled, still as statues again. 

The Muse called it contemplation. 

Aerwin called it waiting for dinner.

dragon

Words copyright 2018 by Paula Harmon. Photograph of muse on the Supreme Court copyright 2018 by Paula Harmon and dragon courtesy of Pixabay. All rights belong to the author and material may not be copied without the author’s express permission.

Vigilance

‘There’s a deviant behind me,’ whispered Caitlin, ‘I thought they were all dead.’

She could hear it shuffling as if its feet in the broken shoes were bruised and blistered. But it was getting nearer nonetheless.

’The virus we put in the water supply killed the majority,’ Abbi answered, ‘but a few were immune. They’d die out in time, but we daren’t risk it.’

Caitlin picked up a stone. Turning to throw it, she saw that the deviant was barely alive: rags hanging from its haggard frame, a kind of pleading in its eyes as it reached for her. She dropped the stone and quickened her pace.

‘It looks so weak,’ she murmured to Abbi, ‘are you sure it can harm us? It’s starving to death. What can we do?’

‘Don’t worry. Daniel’s prepared.’

Caitlin squinted to where Abbi was pointing. On the roof opposite, a boy lay, sunshine glinting off his gunsight. A red spot briefly appeared on Caitlin’s shoulder then disappeared to her left. She moved to give Daniel a clear aim. There was a soft crack and then a thump.

Caitlin looked down on the emaciated corpse.

‘He looked nice,’ sighed Caitlin, ‘Like grandfathers in books. Whatever grandfathers were.’

‘Don’t believe their propaganda,’ snapped Abbi, ‘you know perfectly well the world is a better place now that it’s run by children who reproduce by cloning. There’s no place for teenagers and adults anymore. You know the rules.’

Caitlin was silent. She would be thirteen in two years time. She looked up at Daniel and shuddered.

vigilance

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

At The Gallery

She came out of her reverie as if she had surfaced from the depths of a silent lake. Her ears filled with shrill chatter and her eyes were overwhelmed by the vibrancy of the paintings and sculptures around her, the designer clothes, the make-up; jewellery sparkling.

Someone put a glass of champagne into her hand. She looked into the rising bubbles:
one pop,
two, three pop,
four, five, six pop.

She didn’t drink from it.

“I didn’t realise it was you at first,” said the man who had given it to her, “I didn’t know your married name. Can you believe how long it is since art college? You’ve hardly changed a bit.”

He paused to sip. She smiled at him, trying to focus on his name badge without too obviously staring at his chest.

“Great pieces,” he went on, sloshing champagne as he waved his arm to indicate the paintings behind her, “your style has matured. There’s a kind of… mystery about them. What was your inspiration?”

She turned to look at the huge canvasses, their drowning blues and tangling greens, the hint of silver just out of reach. She yearned for silence and shrugged.

“Sorry, sorry, I should know better than to ask a fellow artist to talk about their work, it makes you cringe doesn’t it?” he hooked his arm into her elbow, “but I’ve got to ask, what do you think of my stuff? I think I’ve grown out of that self-absorbed young man you probably remember. This one is called..”

His voice blurred as she gazed at the sculpture he was drawing her towards. The people in the room moved in a misty stylised dance, their voices becoming incomprehensible as if a radio was picking up a distant foreign language broadcast.

Champagne slopped over the side of her glass.

Who is he? she thought.

Then she thought: for that matter, who am I?

 

abstract

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Don’t Move

I am so cold and so alone.

It is nearly silent now, this dead hour, this dead dark hour. I can only hear the soft worrying noises of night. I can hear a lone distant car becoming more distant. Free to go – not tethered like me.

Tethered, yes that is me – tied to this room, this house, this life, this never ending wakefulness. Tethered to the shore perhaps but at the same time cast loose to the night – floating on a dark river of exhaustion and uncertainty and fear.

I dare not leave this room. You will hear me move. You will sense me. Awake: you are an endless list of demands and desires.

For now you are asleep at last. I can hear your light breathing. But soon you will reawaken and call for me.

I wish… what do I wish? Do I wish I could pass this servitude to someone else – just for a day, no just for an hour, no just for a few minutes?

No, I wouldn’t.

I want you to demand only me, to want only me, to cry out for only me.

But just let me move, my precious baby, just let me move, just let me for one whole sweet night go back to my own room, to sleep, dreamless, warm in my own bed.

dark with lights

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Loquacious

My lecture was so dull I bored myself, tailing off down an alley of inconsequence to the dead end of momentary silence until, with rising excitement, I found the side alley of potential controversy and entered it with brief anticipation of provoking interest; the eyes of the older members of the assembled teenagers coming back to life for the few seconds it took for my stress addled brain to note the teachers’ anxious tension as they braced for any risk my words might pose, whereupon I stepped off a metaphorical pavement into the path of an oncoming bus – destination: failure.

pink

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

From a prompt from Thin Spiral Notebook: a story in 100 words in 1 sentence.

Moving Forward

“Laptops?”

“Check.”

“Mobiles?”

“Check”

“Credit Cards?”

“Check”

“Tablets, wifi passwords, address books?”

“Check”

“Sat Nav?”

“Check”

“Have you packed your smart suits and shiny shoes?”

“Yup”

“Right come on, let’s get on board”

Mary, Steve, Rob and Jenny hefted their rucksacks and waited for the commuters to climb onto the train and settle down, juggling their cases and newspapers and styrofoam coffees.

There was no room to sit: all the seats and aisles were packed with people trying to get to work, trying to prepare for work, wishing they’d prepared for work, or loudly discussing work on mobiles so that the rest of world could see how important they were.

Mary, Steve, Rob and Jenny didn’t mind. They stood, balancing between swaying carriages as the wheels rattled over the smooth rails. The refreshments trolley squeezed through and ran over their booted feet. The ticket collector raised his eyebrows at their destinations and scribbled random symbols.

Town by city by town, the commuters got off, leaving room to breathe at last.

Mary, Steve, Rob and Jenny moved into an empty carriage, opening the tiny window to let some air in and blow out the odours of perfume, panic and depression; watching the buildings recede as connurbations gave way to country side.

The train slowed as it started to describe a slow bend on top of a steep embankment. Below was a wide stretch of water, splendid in unvisited isolation.

“Laptop?”

“Check.”

“Mobile?”

“Check”

“Credit Card?”

“Check”

“Tablet, wifi passwords, address books?”

“Check”

“Sat Nav?”

“Check”

“Have you packed your smart suits and shiny shoes?”

“Yup”

“Right come on, shove them all out the window quick while we go round this bend before the ticket inspector comes back – we’re leaving it all behind and starting from scratch.”

 

train travellers

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission