Stirring

After breakfast, I sit with my tea next to an old fireplace in a renovated ancient cottage.

The small log burner under the chimney is redundant on a summer day. Once, I muse, there would have been an open fire for heating and cooking. A kettle and pot would have hung from trammel hooks over the flames, a small oven might have stood to the side.

It’s hard to imagine this tiny house with more than two people inside. Downstairs, there’s barely room for a table, two chairs, two armchairs, a dresser, a two burner hob, fridge (with microwave atop) and large sink. A large, low double bed fills the attic upstairs. A pleasant shower room has been built, adjoining the lower floor.

My husband and I, our laptops, tablets, phones, leads and books fill the place.

I sip tea, and scroll through reels on social media, musing. This cottage would have been home to a poor family once. Now it’s for holiday makers. Where I sat idle in an Ikea armchair, a woman would have bent, stirring the pot in the fireplace, sweating because even in August, food still needed to be prepared, a family still needed to be fed.

Surely she’d only have had a dresser, table and chairs. No armchairs, no labour-saving devices, no sink. Apart from the river, where was her water supply? A long early morning walk perhaps? Maybe she cared for an elderly relation who watched as she worked with children at her feet, a baby in her belly while a husband waited to be fed.

I scroll and come across a video.

Someone is reconstructing ‘mud cookies’ also called ‘bonbon tè’. I unmute my phone. It’s a Haitian famine recipe made of mineral-laden mud mixed with salt and a little fat then baked in the sun.

Appalled, I watch the maker taste them.

‘They’re so salty,’ she says. ‘They suck all the moisture out of your mouth.’

The fireplace rattles.

I look at it. Nothing is moving. But the noise is there.

Shaking myself, I scroll on and come across a thread about secrets. Some are appalling. Some need reporting. One says ‘My husband works all the hours but doesn’t make enough to feed us all. I pretend I’ve eaten when we have dinner. I don’t want to make him feel a failure. Sometimes I’ve had nothing to eat but toast and black coffee all day.’

How can it be that a woman in a developed country in 2025 is doing what women did a hundred years ago and more – try to survive on next to nothing so that her husband, children and dependent elders can eat?

The fireplace rattles again.

There is no wind to come down the chimney. There is no traffic on the narrow country road to vibrate the house.

There is just an old fireplace and the ghosts of women who stirred the pot in the fireplace beside me while their stomachs rumbled.

And they have not forgotten.

Words and image copyright (c) Paula Harmon 2025. These are not to be used without the author’s express permission including for the purposes of training artificial intelligence (AI).

A Novelty

Within the wrapping was an antique cigarette lighter. It was attractive: engraved, simple. But I didn’t smoke.

‘It’s a time machine,’ said Beth. She was eccentric, but she was my best friend. I raised my eyebrows at her.

‘It’s true,’ she insisted. ‘I found it in the Christmas market.’

Oh, a novelty present. I peered a little closer. Presumably it made a display or played sounds or something. I couldn’t even work out how to take the top off and there was no igniter. It was just a small oblong of silver with squiggles on.

‘Enlighten me,’ I said. ‘If you’ll pardon the pun. Have you tried it?’

Beth’s gaze faltered and she shook her head. ‘I haven’t had the nerve. I thought if I gave it to you, you’d be bound to try it.’

I prodded at the carving and thought about spaceships. Nothing happened.

‘It’s not doing anything,’ I said. Grinning, I went to put it among the Christmas decorations above the fireplace.

‘The vendor said it works with things,’ said Beth.

‘Things?’ I tapped it against a glass ornament. Nothing happened.

‘Not those sorts of things,’ she said. ‘Things with memory – bricks, stone, wood sometimes – not tables, I mean beams, mantlepieces. This is such an old house, I thought it would be interesting.’

‘Well, you should know if it’s interesting or not,’ I retorted. I was her housemate, but the Victorian villa had been in her family since it was built.

‘He said you can’t go forwards other than to return to the present,’ she added. ‘And you can only observe. Go on, give it a go.’

I laughed. I could always rely on Beth to be different. I was more interested in the future than the past but I looked around the room, the old fireplace, the moulded ceiling and out into the garden.

‘Let’s go outside,’ I said. A moment later, we stood shivering. The veranda which ran along the back of the house needed repairing. It was the only part of the house that made me sad, the paint peeling, the roof leaking. There was a statue of a nymph under the hedge at the edge of the garden, weather-beaten and grey. Whenever I looked at her, even in summer, I longed to put a blanket round her, she looked so cold and forlorn. Now, in the near dark, lit only by the glow from the kitchen and the fairy lights I’d put on the trees, I had an overwhelming urge to bring her inside to warm up.

‘I wonder what this looked like in its heyday,’ I said. Beth hugged herself and shrugged. ‘I suppose,’ I continued, ‘if this thing works, it could show us how to repair the veranda to make it authentic. Who knows how many layers of paint is on it.’

I held a support with one hand and gripped the object. There was second’s hesitation before Beth uncrossed her arms and laid her hand on my shoulder.

‘Christmas 1840,’ I said and for reasons I can’t explain, closed my eyes. I expected nothing to happen. The air felt the same, the world smelled the same – a little damp, wintery, wood-smoky. Beth was shivering but it felt like trembling. I opened my eyes and it was so very much darker. There were no lights on the trees. The glow of the kitchen was much softer and fell shorter making the garden little more than shadows on shadow. The nymph… I couldn’t see her. She must have been a later addition. And the bushes where she would later stand were moving in the breeze.

It took seconds for my eyes to adjust and for me to realise there was no breeze. The bushes weren’t moving but a person was. People. They were embracing, a woman in a long dress held tight in a man’s arms; passionate, close, her head back.

And then he dropped her.

There was the shortest of pauses. In the fields beyond the garden, a fox barked. And then the man started digging.

‘So that’s where she is,’ breathed Beth.

‘Who?’

‘The great-great-something aunt,’ she said. ‘They said she’d run away. Let’s go home.’

A moment later we were back in the present. The garden twinkled under fairy lights; the nymph hid in the shadows exactly where the woman had been dropped.

‘We need a spade,’ said Beth. ‘And then, as soon as we can, we go back and find out who killed her.’

Words (c) Paula Harmon 2023, not to be used without the author’s express permission. Photo 159338259 | Cigarette Lighter © DRpics24 | Dreamstime.com