A Staircase

The old court building stands on a corner in Victorian elegance. Although relatively small for a civic building, from outside it is rather grand. Once, it must have been modern. No doubt, it was there were complaints in 1882 when it was built in the midst of the surrounding Georgian splendour. 

I started working there in 1989, an incomer with no connection – or so I thought – to the town or county. I was startled to discover many later that one of my great-grandfathers had been born maybe a hundred yards away and the office was probably being built just as he was setting out into the wide world beyond his little country town.

I met my husband in that office and worked there on and off for ten years.

On hot summer days, diagonal shafts of sun could just about reach through the railings on the pavement to slant into the staff-room in the front part of the basement. Little light could penetrate into the ground floor office where we actually worked. High filing cabinets ganged up in lumpy, grey, bureaucratic hostility to block the peeling cobwebbed frosted Victorian windows, and in a pre-clear-desk-policy, pre-digital era, on top of the cabinets was filing. There was filing everywhere: under desks, on shelves and piles of out-of-target work toppled from towers of files inside the walk-in safe. I swear we spent more time rifling through them looking for things and getting filthy in the process than actually working.

On wet winter days, the paper curled up in the photocopier.

There was a small door for staff at the side of the building and a grand set of double doors up a wide staircase at the front for the public and professionals. It took them into a tiled foyer from where they could go straight ahead to powder their noses or, if they had the means to open it, access the stationery cupboard. More normally, they would turn right to hassle us at the public counter or turn left and ascend a wide, sweeping staircase to the courtroom upstairs. 

Everything was solid and oaken. The Victorian office keys were heavy enough to kill someone with. 

Inside our filing cupboards there was a ledger going back to 1882. Other old ledgers were in the basement archives but this one was still in use, commencing in perfect elegant copper-plate and ending with my best efforts in biro and my colleague’s felt-tip scrawl.

The interior of the building was grubby and tired. The oak finishings were dusty and dented, the coloured floor tiles chipped and dull. The beige carpet in the office was unimproved by spilt tea and we sat on unergonomic chairs covered in flowered nylon.

Then there was the basement. 

We got there down a twisty narrow staircase near the staff entrance. It was so awkward that when it was your turn to make tea, you carried the mugs in a basin rather than on a tray because you were less likely to spill anything. The staff-room and kitchen had windows from which you could look up onto the pavement. There was a filing room across the corridor with windows onto a pointless sort of courtyard.

But the back part of the basement had no windows.

Another door off the corridor opened into a sort of cave in which the archived filing and ledgers dwelt. Public sector spending did not extend to adequate lighting for it. A couple of spider encrusted 40 watt bulbs cast circles of yellow gloom. Right at the back of the cave lurked a locked room in which the really, really confidential files were kept. That was even darker and danker. Fungi grew on ledgers in the corners. I have never smelled as bad as when three of us had to do a file audit in that room, breathing in goodness knows what spores and miasma.

The staff was divided about the basement. Half of us thought it was dark, horrible and damp. The other half thought it was dark, horrible, damp and haunted. Despite the fact that my husband is sensible and cynical and I write stories about the fairy who mangles my laundry, I was in the ‘don’t be silly’ camp and he in the ‘haunted’ camp. Some people refused point blank to go down for an old file unless someone went with them. One or two wouldn’t even go into the staff-room kitchen on their own. A story circulated that when it had been refitted, one of the workmen walked off site when he left it neat and tidy for five minutes one evening and came back in to find all the cupboard doors and drawers open. Even I, who didn’t think it was haunted, propped the door of that dark room open, telling myself it let in more light and I don’t think I ever went into the cupboard at the back alone, on the grounds that the main door might slam and lock me inside.

Although the basement had once been the home of a series of caretakers, as far as we know none of them had died there. It wasn’t the kind of court which had ever had cells. There were no old legends about it. So who was supposed to be haunting it, no-one knew. 

It just, in the words of Terry Pratchett, ‘boded’.

Eventually, long after my husband and I had moved elsewhere, the staff and the work were moved out to merge with another, more modern court. I have no idea what happened to the mouldy files from the lurking cupboard but hope if they weren’t burned, they were put in some kind of bio hazard facility. 

The beautiful if neglected old building lay empty. And then it was bought up, refurbished completely and turned into a restaurant. My husband and I went to a small reunion there a month ago with a few of our old colleagues. It was quite jaw-dropping. All the oak was polished and gleaming, the rooms were full of soft light, the tiles on the floors shone. The courtroom, which had been dull and cold, was glorious, almost golden. It was all beautiful.

We walked around pointing at things, to the bafflement of the other diners.

‘Wasn’t that where you used to sit?’ 

‘Did this room really have a fireplace in it?’ 

‘I hear the restaurant workers think the kitchen’s haunted.’

‘Honestly?’

‘Who knew the windows were that big?’ 

‘Shame it didn’t have a bar in it when we were here.’

‘Where was the counter/little interview room/safe?’ 

‘Have you seen the other staircase?’

‘What other staircase?’

‘The other staircase to the basement.’

It was true. In the foyer, where the public loos and stationary cupboard had once been, builders had uncovered a long forgotten staircase. It followed the curve of the one leading to the courtroom and descended into the basement – into the dark part of the basement. But it was no longer gloomy and creepy. Instead there were modern restrooms: clean, airy and stylish. There was no trace of that dimly remembered archive room whatsoever.

My husband and I took photos galore and reminisced with our friends over an excellent meal in Victorian opulence. The old building seemed to be saying ‘see what I look like when someone loves me?’

A few weeks later, he and I were still arguing over what the basement had looked like back when the two of us were working there. Eventually the other Sunday afternoon, we sketched it out on a piece of paper.

‘Here was the staff staircase.’

‘Yes.’

‘And this is where the staff loos were.’

‘Yes.’

‘And this was the staff-room and the kitchen bit was round here.’

‘Yes.’

‘And then there was a sort of side corridor that went to the filing room with the window.’

‘Was it like that? Wasn’t it like this?’

‘Not sure. Was it? Anyway, what about the other room? The haunted one.’

We drew and redrew and bickered for a bit and then when we thought it was just about right, tried to work out where the ‘new’ staircase came down and how the refurbished layout related to what had been there before. This discussion (argument) lasted quite a while. In the end, we both got our phones out to compare photographs.

Neither of us had any.

‘But that’s ridiculous,’ I said. ‘I’m sure I took some.’

‘So did I,’ said my husband.

We scrolled through and compared photos we’d taken of the staircase itself, the courtroom, our colleagues, paintings on the walls. But there were none of the basement. Not one.

So the question is, did we think we’d taken photos which we hadn’t, busy catching up with old friends or did the ghost of the basement wipe them from our phones?

And if so – what, after all this time, is he hiding?

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Words and photograph copyright 2018 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission.

Tuesday at Seven

In a quiet side street, beneath a solicitors’ office, steps led down from the pavement to the tiny restaurant.

There were still only ten tables in this little facsimile of an imaginary Italy. It was one of the few things which had barely changed.

Tom ordered some bread and olives. His early evening had been spent walking round betrayed by memories. He felt the disoriented bereavement of returning after so many years. Road layouts were different; you had to park in different places and pay to do so. The big named places which had gone under were filled with other big named places, struggling to compete with the out of town malls. Was that where Woolworths used to be? Was that once British Home Stores? Small shops and businesses he remembered had gone and been replaced. Perhaps he’d imagined them. The town was just as pretty, with its Georgian elegance and flower displays but nothing else was the same.

He could have eaten anywhere. The Spa Hotel was now easily affordable. Once he had walked through the park outside under tasteful Christmas lights, silver in the trees. He’d watched the rich go inside and wonder whether the food and ambience was worth the cost. Then, mentally counting how much he had left in his account, he’d gone to this little Italian haunt instead.

He could have eaten anywhere, but it didn’t seem right. He took Cara’s photograph out of his pocket and studied it. At that moment, the waiter appeared with the olives and leaning over his shoulder said ‘bella! bella!’

Tom was startled, his privacy invaded. He made a meaningless response and turned the photograph face down on the table.

‘Yes!’ continued waiter, oblivious to or despite Tom’s feelings, ‘and when she comes here, this place, it lights up!’

‘Really?’ replied Tom, ‘you mean, she comes here?’ How ridiculous, why shouldn’t she? She had lived here all her life.

‘But yes!’ the waiter, with his dubious accent, seemed unable to speak without exclamation marks. Tom wondered what would happen if he asked in Italian which region the waiter was from. But then, the exaggerated accent was part of the atmosphere, always had been. The waiter continued, ‘she comes here every Tuesday evening at seven o’clock. Such a beauty! Her laugh is like a bell!’

Wondering how a bell was supposed to laugh, Tom was startled by the punctuality. Cara must have changed. Routine and pattern were his traits, hers were spontaneity and surprise.

He had blamed that discord for his departure all those years ago. Only now, picking up olive after olive, he realised that for all that, he was the one who had gone off into the unknown and she was the one who had stayed.

Cara could have gone with him of course.

‘Plenty of prestigious schools down in the South East,’ he’d said.

‘Plenty of prestigious schools here too,’ she’d said.

But she had chosen to teach in the one everyone pretended didn’t exist as disadvantaged, uncultured poverty didn’t represent the way the town wanted to portray itself.

He’d wondered aloud what good it would do them to mix with those complex families. In his mind he pigeon-holed them into stereotypes: barely literate, behind with the rent, hiding from loan sharks, breeding like rabbits.

‘You mean they won’t give you good connections,’ she’d snapped, ’I want to make a difference,’ she’d said, ‘do you?’

Her words had escalated from ‘self-serving’, to ‘snob’ and then ‘bastard’; his from ‘unambitious’, to ‘lazy’ and then ‘failure’. The names stung then slashed. She cried, he left. He left her in that cold, damp flat with its elegant but unbeatable proportions, left the untidy rooms, left the hasty marriage proposed under those sparkling trees. Clean break. No contact. Twenty years had passed.

Tom glanced at the clock. It was six. He frowned. He’d just realised it was Tuesday. Would she come here this evening? With her man-friend? Tom had only come to check the restaurant out, wondering if he could ask her to join him there for old time’s sake another evening.

He had never intended to find her again. But twenty years of promotion and order, influence, routine, predictability had passed and he’d never found anyone to share it with. And then redundancy was offered; inevitable, but worth more if you jumped before you were pushed and when someone said ‘never mind, now you can have more time for your pastimes and friends’, he realised he hadn’t really got either. During a weekend of doubt and uncertainty, he’d bumped into Cara in the National Gallery, on neutral ground. They had nearly bypassed each other, not recognising the changed faces and bodies; but over coffee they simply started to talk as if time had been suspended and could now restart.

With trepidation he had said he was thinking of spending a week back in the West Country she had never left. Would she be free? Was she free? Would she consider spending some time with him? No strings, just company.

They had walked in parks and forests, climbed hills above the river, visited theatres and museums and found that somehow while different, they were still the same and while still the same, they were somehow different. Then her hand had slipped into his and he knew he wanted to ask her to dinner in the old place, if it still existed, and that this would be the turning point. He had never been afraid of risk before, but now, it was all or nothing. If he could not win her back, he would return to the empty South East alone.

And here was the old place, still existing.

The waiter returned to take Tom’s order and prodded the photograph again. ‘Yes,’ he continued, as if the conversation had not ceased, ‘she comes every Tuesday at seven o’clock with her man-friend. What a lovely couple they make.’ He kissed his fingers. Mwah!

The olives became tasteless, the room cold. Tom said something non-committal and picked up his phone.

‘Now?’ Cara said, ‘right this second? Well, I could… but…’

‘You remember the place? Park Close. It’s barely changed.’ He named it and looked at the clock. It was nearly six fifteen. She was quiet and then spoke, anxiety in her voice.

‘Not tonight, tomorrow night. I could meet you somewhere else tonight.’

‘I’m already here. I’ve got a table. Please join me.’

‘How about nine?’

‘No, now. Now or…’ he couldn’t say it.

The silence was so long, he took his phone from his ear and checked to see if he still had a signal. Then she said, ‘oh all right.’

She walked in at six forty-five. She was beautiful but her smile was strained. Her long chestnut hair was pinned up and she wore some earrings he vaguely recalled.

‘This was our place, do you remember? Do you still come here?’ he asked.

‘Hardly ever,’ she said.

But ‘every Tuesday’, the waiter had said, ‘every Tuesday at seven with her man-friend’. Cara fiddled with a piece of bread.

Six fifty.

The waiter came back and took their order. He smiled and flirted a little with Cara and winked at Tom.

She was shaking slightly, rolling bits of bread but not eating it; swirling her wine but not drinking it.

‘Listen,’ she said, ‘there’s something I haven’t got round to telling you…’

The door of the restaurant opened. Its ringing bell made them turn. A young man and woman walked in laughing. The girl’s head was thrown back, uninhibited, long chestnut hair straightened and falling round her shoulders. Her clothes were retro, she might have walked straight out of his youth. She stopped laughing and wiping the mirth from her eyes, took in the restaurant including the middle-aged couple staring at them in silence.

The waiter returned with the starters and tapped the face down twenty year old photograph again, pointed at the girl and said ‘what did I tell you? Bella, bella! Laughs like a bell!’

Tom, his mouth open, looked at the slender young woman. He took in her hair, her mouth, hands and feet. Then he considered Cara with her fine lines and plumpness and then he turned the photograph face up.

And the girl, oblivious, stared at Cara and with the tone only a nineteen year old can emit, said seven exasperated words: ‘oh Mum! What are you doing here?’

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Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Reunion

Three grown women from college were we
Black and white in certainty as we could be
We knew it all at twenty-one; our working lives had just begun
And the world was wide and free.

We’d sat up all night and destroyed our fears
We’d shared the wisdom of our years
We’d cut the apron strings at last; we’d left our childhoods in the past
And shed our final tears.

But here we are now, thirty years on
The certainty, arrogance, seriousness: gone.
We’ve survived long days both bleak and dark; Clung desperately to the tiniest spark
Through illness, loss and funeral songs.

So let’s raise a glass to the girls we were
Of wine or cocoa, we don’t care
And sip it down like the women we are
Whose peaceful hearts still bear their scars
And maybe we’ll talk all night or maybe not
Somethings remembered, some best forgot
Maybe we’ll cry but I hope we’ll laugh:
We knew it all then but now: not even half!
In fact let’s look forward and let’s have fun
Cheerfully knowing nothing at fifty-one!

On the other hand..
At 21 we sat up all night to talk of plans and dreams
We didn’t discuss digestive tracts or arthritic knees
We wondered about the future and the joys of motherhood
And now we’re comparing stretch marks and tackling teenage moods.
We wondered how to do our hair, now we fight to stem the grey
Not wonder if the aches will go, or if they’re here to stay
On the other hand, we used to care if we were cool or hot
But now we’re content with who we are and everything we’ve got.DSC_0034