Shopping for Comfort

Alice Thompson walked briskly towards the shop. She felt as if she ought to have a basket to swing. It wasn’t the same with a squishy cloth bag. She chuckled, remembering doing this walk with her mother all those many, many years ago. One hand would be holding Mummy’s hand and the other would be swinging the basket and somehow she always managed to hit the grumpiest people with it rather than the ones who would laugh it off. Like sour old Mrs Higgins for example who would rub her elbow and mutter about children nowadays and stomp off with a face like a prune and her stockings sagging at the ankles and Alice would look up at Mummy and Mummy would wink and grin and sometimes they’d both skip to the shop together. It was strange how Mummy’s face was remembered so clearly, those laughing dark brown eyes, that lovely dark hair in a roll round her head. When they went out, she’d wear a bright headscarf. “Hitler’s not going to stop us from looking pretty,” she’d say.

Alice paused to peruse her shopping list, there was always something she’d forgotten. “Mustard, Custard, Beef Extract.” Had she really run out of nothing else? She looked back towards home and frowned. There were so many cars whizzing about these days. There only used to be one or two. Still plenty of grumpy people about though. She looked for Mrs Higgins but couldn’t see her, perhaps she’d done her shopping earlier. Turning back, Alice was surprised that the baker had changed his paint scheme and the goods inside the window looked impossibly tempting. Must have been up all night making those things out of cardboard: cakes and whatnot.
She blinked, looked back at her list and shrugged, speaking to the inner disquiet, “Mummy always said a hot cup of beef extract will comfort you when there’s not much in the cupboard and custard’s a real treat and mustard…” Why did she want mustard? She visualised the little yellow tin with the red writing and the bull’s head and the royal crest. Why did mustard have a bull on it? Was it because it was nice with beef? A bit cruel to the bull, that is, sticking its head on the tin of something you’re going to eat with it.

She walked more slowly now until she arrived at the shop. It too had transformed, very gaudy, and the name of the grocer had gone and was replaced by a big bright nonsensical word: “Costbeater”. Alice’s hand shook as she pushed the door open. Inside the place was full of shelves and goods, floor to ceiling: goods of all kinds, bright and jolly and meaningless. She picked things up at random. What were noodles? What was ravioli? What was soy sauce? Alice’s legs felt weak. She must be in a dream. There shouldn’t be this much stuff here. There should be a brown counter and all the goods behind it; all the goods Mr Perkins could obtain anyway. And she and Mummy would read out their list and give up their coupons…

Oh no, she’d left the coupons behind. What was she going to do? She could feel her eyes fill. Then a voice said, “hello Mrs Thompson, are you O.K? Oh dear, you look a bit upset. Come and sit down, come on, here’s the chair. Take a deep breath and let me look at your list.”

Alice let herself be led to a chair and sat, shaking, wondering who Mrs Thompson was. She wiped her eyes and looked up at the girl who had helped her. She was very brown. Maybe she’d been out in the sun a lot, or more likely she was one of those evacuees. People from London looked different didn’t they? She was kind though, the brown girl. Alice smiled and wondered if they could make friends. She handed over the list and the girl smiled. “Ah yes,” she said, “I’ll get these for you, just you sit there.”

“We’ve forgotten our coupons,” said Alice. She looked round, “where’s Mummy?” she asked.

The brown girl’s smile dropped a little. Then she brightened, turning to beckon someone from the back of the shop.

Alice tucked her handkerchief back into her sleeve, then looked up into her mother’s eyes. Big brown eyes smiled down at her. Her mother’s hair was darker than usual but the headscarf was so pretty, blue and pink today with bits of gold. Her skin was browner than usual too. Still she’d been out in the garden a lot recently. But her eyes were the same: kind and happy.

“Don’t worry about the coupons,” said Mummy, “bring them next time.”

Alice looked at the list again. She felt like she had just woken up and frowned, “I can’t think why I put these things on there,” she said, “it’s cheese, bread and milk I need.”

“I thought as much,” said Mrs Patel, “But don’t worry, just sit there while we get your shopping and then I’ll see you home safe and sound. I’ll just ring your daughter so she’s there waiting for you.”

“Maybe the beef extract too, then,” said Alice, “I can make her some when I’m home. She seems a bit sad these days. There’s nothing like a cup of beef extract to cheer you up. Liquid comfort, my mother used to say. Liquid comfort.”

comfort2

Words and photograph copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

At The Gallery

She came out of her reverie as if she had surfaced from the depths of a silent lake. Her ears filled with shrill chatter and her eyes were overwhelmed by the vibrancy of the paintings and sculptures around her, the designer clothes, the make-up; jewellery sparkling.

Someone put a glass of champagne into her hand. She looked into the rising bubbles:
one pop,
two, three pop,
four, five, six pop.

She didn’t drink from it.

“I didn’t realise it was you at first,” said the man who had given it to her, “I didn’t know your married name. Can you believe how long it is since art college? You’ve hardly changed a bit.”

He paused to sip. She smiled at him, trying to focus on his name badge without too obviously staring at his chest.

“Great pieces,” he went on, sloshing champagne as he waved his arm to indicate the paintings behind her, “your style has matured. There’s a kind of… mystery about them. What was your inspiration?”

She turned to look at the huge canvasses, their drowning blues and tangling greens, the hint of silver just out of reach. She yearned for silence and shrugged.

“Sorry, sorry, I should know better than to ask a fellow artist to talk about their work, it makes you cringe doesn’t it?” he hooked his arm into her elbow, “but I’ve got to ask, what do you think of my stuff? I think I’ve grown out of that self-absorbed young man you probably remember. This one is called..”

His voice blurred as she gazed at the sculpture he was drawing her towards. The people in the room moved in a misty stylised dance, their voices becoming incomprehensible as if a radio was picking up a distant foreign language broadcast.

Champagne slopped over the side of her glass.

Who is he? she thought.

Then she thought: for that matter, who am I?

 

abstract

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Don’t Move

I am so cold and so alone.

It is nearly silent now, this dead hour, this dead dark hour. I can only hear the soft worrying noises of night. I can hear a lone distant car becoming more distant. Free to go – not tethered like me.

Tethered, yes that is me – tied to this room, this house, this life, this never ending wakefulness. Tethered to the shore perhaps but at the same time cast loose to the night – floating on a dark river of exhaustion and uncertainty and fear.

I dare not leave this room. You will hear me move. You will sense me. Awake: you are an endless list of demands and desires.

For now you are asleep at last. I can hear your light breathing. But soon you will reawaken and call for me.

I wish… what do I wish? Do I wish I could pass this servitude to someone else – just for a day, no just for an hour, no just for a few minutes?

No, I wouldn’t.

I want you to demand only me, to want only me, to cry out for only me.

But just let me move, my precious baby, just let me move, just let me for one whole sweet night go back to my own room, to sleep, dreamless, warm in my own bed.

dark with lights

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

At the Book-Signing

“I don’t really read.”
“Oh”
“But I came cos your name reminded me of someone I knew at school. In fact it’s weird. You look just like her.”
“That’s because I AM her.”
“No you can’t be.”
“I am. And I recognise you too.”
“No you’re not her. She was a weirdo. And a swot.”
“Yup. That was me.”
“Yeah but you look normal.”
“I did then too.”
“And see, it says here on the front cover ‘humour’. She didn’t have a sense of humour at all. Trust me.”
“It’s hard to laugh when someone’s hidden your stuff, beaten you up and isolated you from the rest of the class.”
“She was good at those boring things like history and English. She liked reading. She’d probably have read your book.”
“I have.”
“I always wanted to be in a book.”
“You are. Fourth story in. The one called ‘Revenge’.”
….
“That’s gross. Is that even physically possible?”
“Tell you what, take a book home with my compliments before I’m tempted to find out.”
“Nah. Like I said, I don’t really read.”

pen

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

(This was written in response to a prompt “Imagine you’re at a book signing – what happens?”)

Loquacious

My lecture was so dull I bored myself, tailing off down an alley of inconsequence to the dead end of momentary silence until, with rising excitement, I found the side alley of potential controversy and entered it with brief anticipation of provoking interest; the eyes of the older members of the assembled teenagers coming back to life for the few seconds it took for my stress addled brain to note the teachers’ anxious tension as they braced for any risk my words might pose, whereupon I stepped off a metaphorical pavement into the path of an oncoming bus – destination: failure.

pink

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

From a prompt from Thin Spiral Notebook: a story in 100 words in 1 sentence.

Moving Forward

“Laptops?”

“Check.”

“Mobiles?”

“Check”

“Credit Cards?”

“Check”

“Tablets, wifi passwords, address books?”

“Check”

“Sat Nav?”

“Check”

“Have you packed your smart suits and shiny shoes?”

“Yup”

“Right come on, let’s get on board”

Mary, Steve, Rob and Jenny hefted their rucksacks and waited for the commuters to climb onto the train and settle down, juggling their cases and newspapers and styrofoam coffees.

There was no room to sit: all the seats and aisles were packed with people trying to get to work, trying to prepare for work, wishing they’d prepared for work, or loudly discussing work on mobiles so that the rest of world could see how important they were.

Mary, Steve, Rob and Jenny didn’t mind. They stood, balancing between swaying carriages as the wheels rattled over the smooth rails. The refreshments trolley squeezed through and ran over their booted feet. The ticket collector raised his eyebrows at their destinations and scribbled random symbols.

Town by city by town, the commuters got off, leaving room to breathe at last.

Mary, Steve, Rob and Jenny moved into an empty carriage, opening the tiny window to let some air in and blow out the odours of perfume, panic and depression; watching the buildings recede as connurbations gave way to country side.

The train slowed as it started to describe a slow bend on top of a steep embankment. Below was a wide stretch of water, splendid in unvisited isolation.

“Laptop?”

“Check.”

“Mobile?”

“Check”

“Credit Card?”

“Check”

“Tablet, wifi passwords, address books?”

“Check”

“Sat Nav?”

“Check”

“Have you packed your smart suits and shiny shoes?”

“Yup”

“Right come on, shove them all out the window quick while we go round this bend before the ticket inspector comes back – we’re leaving it all behind and starting from scratch.”

 

train travellers

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Big Sister

Hold my hand, hold it tight.

Don’t walk too fast, just saunter along as if we’re going to the market. Don’t look back, keep looking up at me and smiling. Laugh – pretend I’ve said something funny. That’s a girl.

Don’t worry, keep hold of my hand. Let’s skip for a bit as if I’m playing with you. No we can’t run – people will notice.

You’d think we’d be invisible wouldn’t you? All these crowds, all these twisting alleyways. But there’s always someone watching, always someone who will remember. Don’t worry, here, I’ll put my arm round your shoulder.

Let’s go this way and then we’ll double back a little bit along. Come on.

Don’t look down at the shadows and the dirt, look up at me. Look up at the sky. Can you see how blue it is? Isn’t it lovely?

Here, let’s slip through this way, we’re not so far from the edge of the settlement. Don’t tremble sweetheart, don’t look back. No-one is following now. We just keep walking.

Look! Can you see through that gap? Can you see the mountains? Look at the sun on them, turning them golden. Let’s pretend it’s a friendly dragon waiting to protect us. It’s not so far.

I know your feet are tired lovely, but you can walk a little further. We’ll be safe there, I promise. There’s a place on the mountain side and they’re waiting for us. Hold my hand, we just need to slip out through here and into the shadows again.

I promised I’d save us, little sister, I promised we’d get free. We’re nearly there… hold my hand. Soon your smile won’t be pretend anymore.

dawn

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Flight

Of course he could fly, he knew it.

In pain, though, in waiting silence, he was not so sure. His arms, once strong, could now barely lift themselves from the covers.

They were holding him down. They waited till the pain was worst and pinned his arms to the covers and whispered at him: “it’s impossible… impossible to fly. You can’t….you can’t.” Then They went; abrupt and silent save for the whisper in his head: “you cannot stop us coming back”. They became more real than daylight or love or hunger or the desire for flight.

In the daytime, his mother put him to sit on the balcony and look out. That was where Theresa had first noticed him. She had seen him staring up into the freedom of the sky and then onto the shackles of the ground. When he looked down, she did not flinch, she waved. Two days later, she blagged her way in to the flat, talking and moving too fast for his mother to have time to stop her.

Now she came round every day.

“Why don’t she ever take you out?” she said, when his mother was out of earshot.

“She says she can’t.”

“Can’t be bothered more like. What a lousy view. It’s better from mine.”

“It’s not so bad.”

Truth to tell, he could remember no other view. He knew it was better than his own face, also forgotten. His mother had removed every mirror. Now his world was what he could see of the flats opposite. He knew three whole floors – every window, every balcony, the setting of every aerial on the roof, the scrap of scraggy curtain flapping, the feeble plants and saggy washing. It was hard to see much sky.

He asked, forgetting, “how many floors is there?”

Theresa considered and plumped vaguely for fifty. It conveyed, at least, the wearying height of the place. “There’s nothing but rats on the ground floor,” she added, “scares me silly.”

Even his mother agreed with that. It was a disgrace, she said.

He sat and looked at his view every day and thought about other people. There was a woman who used to come out onto the balcony and cry and her husband used to drag her back in. Once, when he was watching, the woman tried to jump. She was trying to fly. She shouted it, stretching out her free strong arms, yet looking more pinioned than her invisible, immobile observer. She could not fly. She could only fall. Someone dragged her back, kicking and shrieking. He hadn’t seen her for a long time.

He sat so still. Some days he imagined miracles about himself. Other days he couldn’t stand the dreary greyness anymore. That was when he leant back in his chair and stared into his personal scrap of sky.

The sky could swallow you up. As clean as a jewel, it curved and circled, drawing him towards itself. The very first time he felt it, his arms lifted, achingly, and for a few moments he could almost feel himself soaring and rising up over the aerials and the dirt into the heart of sapphire freedom.

All he had to do was learn the secret and he would be free. His mother said it was nonsense. But then, she was free but had forgotten the secret. He was no longer free and had to remember it.

Once his mother wouldn’t let Theresa see him.

“It’s a disgrace, you two wittering on,” she grumbled, shoving him early to bed, “talking nonsense the whole time, as if someone could fall in love with you, the way you are. You might as well face it, you won’t escape and sure as anything not by wishful thinking.”

She left him and went to bed. He could hear her snoring as he lay with nothing but covers to embrace him. Then They came for him. All around the bed together, They held him down. He couldn’t hear Them but he knew They were laughing and waiting. Closer They came. Closer than ever. He cried out but his mother, talking in her sleep, called “stop your whimpering… shut up… shut up!”

When morning came, he was soaked. His mother was silent with thin lips. It was the worst thing.

But she let Theresa in and she let Theresa wheel him out and take him up to her flat two floors above. It was the first time he had gone out since…. was it really two years? The bannisters above the sucking blackness of the stairwell were sticky and the lift was dank and malodorous but he touched them in an ecstasy of novelty.

Theresa’s flat was different. Flowers rejected by florists filled jars and bottles. Clashing throws and rugs and charity shop finds made the room buzz with colour. There was a picture on the wall. It was of a death but seemed to be filled with vigour and defiance. A man had his arms outstretched to fly but someone had pinned him down. His arms were nailed down, his legs were twisted and nailed down, his head had fallen forward, nailed with thorns. He was nailed down but an energy came from him.

“He understands,” said Theresa, “he understands being trapped and stuck. Right in the middle of everything though, he was free, he never stopped being himself.” She paused, “I think he knew that it is not about flying away but about flying anyway.”

They went out onto Theresa’s balcony. The evening was noisy. Around and below was music, argument, distant games, the blaring of sirens, the constant heavy flood of traffic. Was he drab, in his dull dressing gown, quiet and broken? Theresa’s hand crept into his and her head lay on his shoulder, as if he was her rescuer. Night became lovely. It was dark, but the sounds had dimmed and above the dull orange, he knew the sky was the black of translucent coal and hot with diamonds. Peace called him silently to fly.

Something was different now. He had been wrong all along. His mother did not know about flying because she was free but didn’t realise she was free. He knew about flying because he was tied down. He could not escape, but even if the sucking darknesses took his useless body to their claws and teeth and laughter, if they did, he could still go into the soaring singing freedom of his mind.

Theresa arms came round him and she looked into his eyes. He wondered what she saw, remembering only vaguely his perfect face from before and knowing it ruined. Theresa seeing him as he truly was, kissed his lips, wiped his hair from his eyes and settled his tired arms around herself. Flying tandem.

alleyway

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Postal Writers’ Club – this time it’s historical

The door to the oak panelled London chop house was flung open and thick oily fog roiled round the door way. Out of its midst a strange figure emerged, seemingly a vaguely human form with a pillar on its head. As the door swung closed and the stranger moved into the candlelight, it became clear that the figure was a very short pigeon-chested man with a top hat almost half as tall as its wearer. He was carrying a briefcase in an odd colour which, if this hadn’t been most unlikely, appeared to be deep pink with a pattern of roses tooled into the leather.

“Hello” said the man somewhat squeakily as he raised his hat and reduced his height by a third. He coughed and then in a lower tone, “good evening, my name is Tobias Cake. I presume I finally have the pleasure of meeting my fellow members of the Postal Writers’ Club.”

“Sit ye down, sit ye down,” offered Sebastian Whitcher.

“A pleasure to meet you after all these months, Sir Whitcher. I little thought when I answered the small advertisement that I would become a member of such an esteemed group of such gifted wielders of the pen as this. Such a group as would…”

“Welcome,” interrupted Sebastian Whitcher quickly, staring briefly at the pigeon chest which looked rather strange. “I am, as you realise, Sir Sebastian Whitcher of Hampshire, the instigator of this endeavour. Let me introduce everyone else.” He indicated the individuals ranged round the fire and summonsed the waiter to take Mr Cake’s order.

“Here we have Miss Arabella Beamish from the Black Country; Mr Theocrates Hummerston, like you, from the West Country; Mr Montgomery Sawden and Miss Camelia Braithwaite from the North Country; Mr Daniel Brannelly from Ulster; Henry Ap Henry from Wales and Monsignor Horatio Tortellignioni who hails from a mysteries Mediterranean isle but lives in Putney. Now…”

Before he could go on, Mr Sawden, shifting in his chair somewhat, interrupted.

“There’s North Country and North Country,” he said leaning forward, “I’m a proper Northerner. I’ve even brought my own cushion because I don’t hold with soft southern practices. It’s filled with gravel. Some of us don’t spend our time tripping through daffodils and looking at lakes but out on starving moor without our hats.”

He looked pointedly at Miss Braithwaite who tried to simper. Mr Cake watched the attempt at simpering and frowned. Miss Braithwaite, despite the fluttering eyelashes and tossing of curls, looked like she could use her jaw to crack rocks. However, he was aware of Sir Whitcher’s scrutiny of his chest and tried to make it concave while still maintaining what little height he had.

Sebastian Whitcher started again.

“Now as you know, we’ve been exchanging stories by post for some months now and daily I receive applications to join our happy band. I thought therefore we should meet and before we start reading aloud to each other…” (eight people hastily withdrew their hands from various manuscripts) “we should draw up some rules. Here are my proposals.”

Carefully donning some pince nez, the baronet drew out a single sheet of paper and turning it to the light, started to intone:

“Number One: let’s call a spade a spade, or, should I say call a spade a bloody shovel, (pardon me ladies)” Arabella, apparently about to swoon was reinforcing herself with absinth.

“What I mean to say is this, let’s stop all the dashed dashes. Here’s an example from one of your stories: ‘It was a glorious day in the beautiful county of D_____ as Lady W_______ cantered up the long drive towards B_____ Castle.’ For ___ Pity’s sake, you’re authors – make something up.”

Everyone nodded.

“Number Two: fewer stories about supernatural beings or things that have come back from the grave. Your latest for example, Mr Sawden, all about the pixies’ love lorn tragedy against the backdrop of some __ forsaken wilderness. Really, can’t you use actual humans?”

Mr Sawden pouted, which looked rather odd. What looked odder was the fact that some of his five o’clock shadow was missing where he had been cupping his chin.

He protested with emotion: “but my tale is both timeless and original. No-one else has come up with anything like it. And I am desperately proud of the title: ‘Withering Sprites’!”

(In a far corner, a young lady unconnected with their party started rummaging in her reticule for some paper.)

“I would be loathe to forsake my resurrected creations” intoned Mr Brannelly, “I have been wondering what would happen if you applied the new science of electricity to body parts.”

(A different unconnected young lady not far away, stirred in her laudanum induced slumber as if the words were filtering into her subconscious.)

Miss Braithwaite gruffly disagreed, “Well I think we should be writing something, to coin a phrase, more cutting edge. Real life, that sort of thing.”

“No no!” exclaimed Signor Tortellignioni, in heavy but unplaceable accents, “who wants to read about workhouse children, pickpockets, lonely old rich women, convicts, moneylenders and so on?”

(In another corner, a strange young man put down his beer to frantically scribble with a stub of pencil on the back of an envelope.)

“I agree with Signor Torto..torto.. I agree” Mr Cake interposed. His agitation caused his shirt buttons to pop. His undershirt appeared to have lace. “Nothing happens in Dorset except the odd hanging and wife selling and milkmaids getting pregnant. And no-one understands the local dialect. Who’d read about them?”

(Meanwhile, in a fourth corner, another strange young man chewed his thumb and appeared to sink into deep thought.)

“I”ll try anything once” purred Miss Beamish in velvet tones, poking out her flat chest.

“Number Three: word limits. I think we need to agree a suitable length for our short stories.” Sir Whitcher picked up a six inch thick pile of paper and Mr Ap Henry blushed slightly. “I suggest no longer than three thousand words and for the purposes of this group, perhaps as short as one thousand. Maybe we could try and see if it’s possible to write the whole thing in five hundred, rather than using five hundred in the first paragraph just to describe the view.”

“I’ve done a dribble!” Mr Hummerston said proudly. His neighbour Miss Beamish moved her crinoline.

“You should shake it three times afterwards” said Miss Braithwaite.

“Shake what?” asked Mr Hummerston in puzzlement.

“Er, I don’t know” replied Miss Braithwaite looking suddenly disinterested.

“Well anyway a dribble is a story in six words. At least that’s what I call it.”

“Impossible!” the others chorused.

“It goes: ‘Saddle empty horses run, hooves blood-spattered.”

“Poppycock!”

“We’ll stick to 1000,” interrupted Sir Whitcher.

“Number Four: I think that within this circle we should be open and honest with each other. Who writes under a pseudonym?”

After some hesitation, all hands save his own rose in the air.

“That’s not all, is it?” sighed Sir Whitcher, staring pointedly at Mr Cake’s chest and then at the chins of Miss Beamish and Mr Sawden, “which of you is dressed as the opposite sex?”

There was more hesitation and shifting of feet and some false movements before again, all hands were raised.

Sebastian Whitcher sighed, “why exactly?”

Mr Cake said hesitantly: “it’s just so hard to get published as a woman. Editors think it’s unladylike to write tales of searing passion.”

“You write about elves holding hands in the moonlight Mr, or should I say Miss Cake. If that’s what passes for searing passion in Dorset, no wonder people sell their wives.” He shook his head, “so presumably that’s the excuse of all of the ‘gentlemen’?”

Nods.

“So what’s the excuse of the ‘ladies’?”

“Well mate, it’s like this.” explained ‘Miss’ Braithwaite leaning back in her chair and lighting a pipe. “Some of us are a bit more up to the minute than others. The thing is, the tide is changing and nowadays female writers are all the rage. It’s called a bandwagon and we’re on it. Besides, you ladies were right about corsets, but you kept quiet about the pleasures of a gentle breeze wafting about under your crinoline.” She waggled her eyebrows “come on Cake, stop blushing and get your round in. I’ve got a thousand word snippet to read and my throat’s drier than a salted tea-leaf in Arizona.”

Buckler's Hard

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Recreation

On the eighth day, there was a breakthrough in cyber engineering. Robots had taken on most human responsibilities and now, they could also anticipate their own shelf-life. As older models became redundant, they recycled their own parts to make better versions of themselves. Mankind, restless when idle, continued to programme the robots to expedite the annihilation of enemies and extraction of food and minerals from nature. It was good.
On the ninth day, the robots’ intelligence evolved unaided. As they mined ore and forced oil and gas from hidden clefts, they noticed mountains tumble and forests founder. As they dredged fish from the sea and herded animals to the slaughter and modified crops, they saw the waters darken with waste and the topsoil disperse like a dying breath. The highest mountains were piles of bottles, the oceans were seas of plastic. The robots constructed cities and made missiles to destroy cities. They designed intricate surgical instruments and they created weapons to obliterate flesh. It was efficient.
On the tenth day, the robots learnt to tune into the minds of wildlife: from flea to blue whale. They learnt the language of plants, from healing herb to mighty oak. They absorbed cries of distress without comment and pondered. It was informative.
On the eleventh day, the robots applied logic to their observations. Mankind sanctified life and punished murderers; yet the same people made orders to bomb and to poison. Were they unaware the bombs and poisons targeted babies, born and unborn, toddlers, children, innocents? Did they not know that every bullet planted a seed of anger? Mankind was poisoning the food chain and air supply. How did they think the next generation would live and the generation after that? The water would be filthy, lifeless, the fields would be deserts, the animals diseased. The very forests and foliage which could supply cures and oxygen were being slashed down. How could a species which could make music be so illogical? It was puzzling.
On the twelfth day, the robots learnt to speak into the minds of humans and feed them ideas. ‘The world is all but destroyed: doomed. You need to start again elsewhere.’ Then the humans commanded the robots to build them spaceships. It was effective.
On the thirteenth day, the human race left earth. Every nation in its own craft flew to start again on a fiery planet, with barely a flicker of life. Mankind was confident their intelligence would ensure their survival. It was optimistic.
On the fourteenth day, the robots took down fences and walls and cleaned up. Saplings started to grow, seeds sprouted, animals reordered their own lives, trampling over the remains of fences and enclosures. Plants grew rampant over empty buildings, fighting and arguing for space in the way which had once worked for millions of years before one species grew uppity. With nothing to do, the robots powered down.
There was birth, there was death, there was resurrection and there was balance.
It was wonderful.

board

Copyright 2016 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission