Equinox

I was the chieftain in the settlement then.

A killing winter it had been and a grasping one, reaching with frost crackling fingers to catch the young ones and the old ones and freeze the yet unknown ones in the womb. 

Not a child under three years old survived that winter. And that winter dragged and bore down on the land so that at the turning of the year, when night balances day, the signs of spring were few, and those often rimed with frost.

Since the loss of our daughter, my wife had turned me only for warmth. The long dried tears had cut her deeper than any knife and severed, it seemed, the affection between us. 

‘No,’ she’s say. ‘I couldn’t bear to catch with child again only to lose it.’

In vain I said that it was not to make a child that I wanted her, that I loved her and in that release we might find comfort together and heal, even though we couldn’t speak of the empty place under the covers where our little girl had once lain or the one under her heart where our son should had found haven. 

But she would not agree and I am not a man who would not force his wife. 

So there we lay, night after shortening night. And though the finest blade could not have separated us as we lay close for warmth, the longest bridge could not have spanned the gap between our spirits. And in the end as the nights grew a little warmer, I stopped turning towards her and dreamed of the days when we’d made love with all consuming passion and joy. And her face in my dreams stopped looking like hers and became wondrously strange and I tried to catch her but she was as elusive as a patch of light on the river wave and my longing burned.

And in the day, my wife was somehow even further away. When she’d finished listlessly grinding what little grain we had, or made my food, she’d curl back into the bed, her back turned to me, her face to the wall of the round house, curled like a babe in the womb, or a corpse in its grave.

Then when it came to the turning of the year, someone forgot to do what needed to be done, just as they had at Winter solstice. And though the winter had taken the old man who used to guard the gateway facing the stones had died, no one thought to find another to take his place.

On that day when promise of spring whispered in the chilly sunshine, the things that should have been done were left undone. The fires were not stirred up to ensure that fiery smoke filled the holes in our houses’ roofs, doors were left open, thresholds welcomed.

That day, I took my bow and went hunting alone. And in the woods, I looked into the mossy stone circle and saw nothing and no one and turned away, then turned back to see the woman from my dreams there, sitting astride a beautiful horse. And I knew that woman as if I’d known her my whole life. 

Her hair was as dark and rich as Midwinter night and yet shimmered like water in the full sun, it flowed down her back as far as her waist, in thick curls and her waist was slim and her breasts were high under her linen dress. Her face was…. I can not describe it. Whenever I looked at her eyes I found mine straying to consider the angle of her cheekbones and then the berry fullness of her mouth.

She slipped from her horse, the horse whose hooves I had not heard. It was sixteen hands at least that horse, and stood tossing its mane at her side, standing without bridle or saddle, as loyal as a dog yet as independent as a cat. Powerful yet slender, all its strength a potential in the muscles shifting under the chestnut skin. 

Will you help me? said the woman. Or I thought she said. I knew her so well that I knew what she was thinking. 

‘What ails you lady?’ I made to step in towards her. 

May I come to you instead? she said, or thought.

I beckoned. ‘Of course.’

And then… she stepped out of the circle towards me and smiled. 

I am lonely, she said or thought. Will you walk with me? And we walked, side by side, and  her hand slipped into mine and the warmth from her body warmed me and the horse followed behind without a sound, not even the crack of twigs underfoot or the swishing of young bracken as we passed. 

I cannot say how long we walked till we found a grove where soft green leaves lay fresh and inviting under the curving bough of a silver birch and no, I never once wondered why there were green leaves lain down like a cloak, nor why when she asked me to sit down with her, they were warm as a blanket held by a fire. The scent of her filled my head. It was like spiced mead and rich berry wine – heady and sweet – driving out all other thought but the need to taste her mouth and curve my hand round her breast and her waist and every secret of her body until I had given her the joy she demanded and deserved. And I don’t know how long we rolled in those leaves, only that when she pulled away, she smiled. 

I never wondered how at the turning of the year, on a day when the morning had started with frost, we could lay there naked and feel warm. My back was raked with her nails, and my own blood was salty on my lip, yet I only wanted her again and again until I died from the desire for her.  

But she smiled and dressed and stood and wordlessly, climbed onto her horse’s back and without a backward glance, they galloped soundlessly away.

Night was falling and now she was gone, the leaves looked like ones that had lain there  since Autumn, and the sweat on my skin started to chill me. I dressed, shivering, and made my way home. I made some excuse for bringing no food with me and turned from my wife’s sad eyes. And that night, I rolled myself in my cloak and lay on the other side of the fire so that I could not touch her even by accident and wondered how I could feel so empty and lost and if I would ever see the woman again.

The days drew out. The promise of green became rich foliage, the hunting was good once more and my wife now turned her face to the sky, and she bathed in the river and sat on the threshold shelling peas, the sun drying her lovely hair into waves of brown. She smiled a little. Shyly, she waited for me in our bed with the covers turned back, but though I joined her, I did not touch her. My longing for the woman was a sickness and I could feel the ribs through my skin as plain as the wheals on my back that her nails had left.

At Summer solstice someone remembered. Thresholds were closed, smoke holes filled. 

But I was the one who offered to face the stones. And I took my bow and I walked towards them and waited. And there she came, riding once more from nowhere into the centre of them. Her horse was as wild as ever, its eyes flashing and green and the woman was petulant. 

It did not work, she said, or thought. Your seed did not grow. I need you to try again. Or maybe I need a man whose children live.

‘All our children died the winter just gone,’ I said. ‘It was too bitter for them.’

The woman pursed her lips. It was too bitter for ours too.

I stared at her then, remembering my little girl fade in my arms. She had become strange in those last days of her life. And she was not the only child who changed in their final moments. Going to sleep like one person and waking as another, only to die a few days later. 

Call me out of the circle, she said, or thought. I need you to… I want you. Her petulance changed into desire. The horse stamped its silent hooves. The air shimmered.

‘Did you exchange your children for ours at midwinter?’ I said at last, bile in my throat. ‘Did you take my girl?’

Your children are stronger than ours. Ours are weak, but our powers are great. Give me another child, mix your blood with mine then…

‘Wait!’ I said. ‘Where is my little girl. Is she alive?’

If you won’t call me out of the circle, then come with me and find out. She coaxed with her mouth but her eyes were cold. She patted the horse’s neck. See what wonders could be yours.

And for a moment I stood there, the burning of desire strong in my gut, the scent of her filling my head, but it was a cold scent and a cold desire a.

‘If you can bring back our children alive, maybe I’ll come with you. Maybe I’ll do as I ask.’

The desire dropped from her face and her teeth snarled. I cannot.

‘Then go back to where you came from,’ I said. ‘I have betrayed my wife enough.’

She hesitated for only a second, then wheeled the horse round and galloped into nowhere.

And since then, I have faded in strength, though the scars on my back have not. I yearn for the woman every night though the desire is nauseating and cold. 

For I remembered who it was who was responsible for making sure we kept the gateway protected and the thresholds sealed at Winter solstice and turn of year in the Spring. 

It was the chieftain. It was I. And I lost more than my daughter with my negligence.

I lost everything.

A song called ‘Ride On‘ by Christy Moore inspired this story. One day, I might expand on it.

Words copyright 2022 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission. Image: https://pixabay.com/illustrations/vintage-arthur-rackham-victorian-1722369/

Room

I am tired.  

Lying in the bath, I let the steam envelop me. I massage round and round my eyes. They want to stay shut and slide into sleep. I am so tired. It’s been a long day and I wash off the travelling and the negotiating and the business smiles. The water is no dirtier as I leave the bath than it was to start with, but so many necessary politenesses needed to be strigilled from my skin.  

I’d prefer to stay in my room. I’d prefer not to join my colleagues for a sociable evening and have their forensic words try to scalpel through my façade to see what lies beneath. I’ll drink just enough wine to oil the conversation but not so much as to expose my soul. Colleagues. I’ve known them a great many years and know them not at all. Nor they I. Shortly I must dress again and slot my smile back in place.  

And I am too tired for what awaits me before I go out, but I have no choice tonight anymore than any other night when I’m in a strange place.  It’s what happens. 

Always.

Rising from the water, I wrap myself in a towel and leave the en-suite to step into the bedroom. I haven’t had time to familiarise myself with all the switches. Light blares from all corners and the ceiling. The TV – put on as part of my ritual – burbles with early evening inanities beside the portable kettle and the insufficient tea-bags. I try to avoid the mirrors and keep my back to the bed as I walk around to change the lighting and find clean clothes from my case.  

But in the end I have to face the girl.  

She’s sitting on the edge of the bed, bolt upright. Her hands are in her lap, clasped into a sledgehammer. Her feet dangle. They are almost bare. Despite this cold evening, slender strips of leather form delicate sandals resting against the plump duvet. Her large eyes are following me as I adjust the lamps. Her head turns as I move about, so as not to lose sight of me for a second and there are shadows under the eyes and red blotches on her white skin. Her clothes are flimsy. Through them I can see the bones of her collar-bone and the thinness of her wrists and ankles.

I swear I didn’t call her here. I never call them, but yet I find them every time in every hotel room. 

I attempt a smile but the girl doesn’t smile back. Taking my clothes, I change in the bathroom hoping my room will be empty when I return. But she’s still there, following me with her eyes as I cross the room to sit in front of the flickering TV.

‘What’s your name?’ I ask. 

It’s pointless. They never answer. Over all these years, in all these hotel bedrooms, not one of these girls has ever spoken. They just look at me, unsmiling, waiting for me to work out what to do.

I recall the first one. 

The hotel was Georgian, my bedroom in the attic: a bijou ensuite room fit for the business traveller. It was clean and pleasant, effort had gone into every aspect, simple as it was.  

I turned on the TV and went to run a bath. When I returned to the bedroom there was a strange girl in a seventeenth century clothes sitting on the edge of the bed. 

She was huddled, legs bound by her arms and her head on her knees. I couldn’t see her mouth but from behind straggling hair exhausted eyes observed me. Her figure was small but she had that pinched look of malnourishment and an expression of one who looked up from an abyss, wary and tensed.  She might have been any age from nine to sixteen, it was hard to say.  

That time, that first time, I was in no doubt seeing her had been brought on by stress. A ghostly servant made sense in that old building after the day I’d had. I had nowhere to go that evening and I watched TV as tense as a mouse unsure if a cat has seen it. I hoped that with every sip of cheap wine, the ghost would become less visible but she didn’t.  

After a while, she unfolded herself and came to stand next to me, as if about to take an order. In the end, I tried to make her disperse by speaking aloud.

‘What’s your name?’ I asked. 

She blinked and shifted from foot to foot. I looked down and saw that the worn shoes were too big. I thought: her feet must be sore. Then I realised what I fool I was. She’d been dead for three hundred years. The ruin of her feet was well beyond bunions and corns and blisters. I shook my head at my own folly. She didn’t exist and yet she was there and she wouldn’t leave.

‘What do you want?’ I asked.  

The girl frowned. 

It occurred to me that perhaps she thought I was the ghost, an apparition in her attic room, strangely garbed but undemanding. Yet she didn’t seem afraid of me. After a moment’s hesitation she leaned her head on my shoulder. I could feel nothing of course because either she wasn’t there, or I wasn’t there. I say I could felt nothing, but in truth, for a few seconds I felt something transfer between us. 

My eyes closed and I saw the room as it must once have been: cold and spare and dark, crammed with damp beds for lonely girls a long way from home, and saw in the corner, one frail figure curled up under thin blankets, coughing and rattling, all alone and uncomforted. The pain of her loneliness skewered my heart and her cold tears burned on my shoulder.  

‘I’m sorry,’ I whispered, ‘I’m here. I wish I could help.’

The imagined weight of her head evaporated and I opened my eyes. The girl had gone and the room was as it had been before, cheerful, anonymous: a stopping place. But I was not as I had been. I was drained. 

I had felt lonely before. I was used to my own silence in indifferent hotels after a day of travel and talking business. But now that loneliness had increased, augmented by the misery of a long-dead stranger. Exhausted, I went to bed early, blaming the cheap wine and a stressful day.

The next time there was a strange girl sitting on my bed, I was surprised. I wondered if I should seek help. It was another strange room, another ghost. 

The third time, I was scared. 

The fourth, resigned. 

Again and again. Each time in every hotel, those ghosts drained me, as something of their sadness transferred to me and something of my pity transferred to them. I tried to find out who they were, but I needed time I didn’t have and anyway, they had all been underlings; the sort of people who die forgotten and unmarked. 

Sometimes the girl just wanted my empathy. Sometimes she seemed to crave my blessing. Once, following an insistent finger, I pulled back the corner of a carpet and under a floor board found an old letter. I read aloud to the best of my ability those misspelled words of love written in faded ink on dirty paper and when I stopped reading I saw a fleeting smile on the ghost’s face before she disappeared and left me wondering how to hide the damage to the carpet. 

Booking a modern chain hotel made no difference. 

These are ancient lands. People have built on the same spot for generations. New buildings have been constructed on fields where once someone died in a ditch or in battle or at the cruel hand of another. Even in the clinical plastic perfection of a generic motel, a child waited for my comfort and replaced it with the weight of their sorrow.

But this evening I am too tired. 

I never wanted children of my own; never wanted the responsibility of caring and supporting, but somehow I have been absorbing centuries of pain and cannot do it any longer.  

‘Who are you?’ I try again. The girl in her thin dress and sandals says nothing. I can’t work out the era of her clothes. A long time ago I think.

I look out of the window. This modern hotel is next to an old pub. Less than a mile away is a hill which was once an Iron Age fort and nearby are the ruins of a Roman Villa. This girl could be from those times – a slave perhaps, or a nobleman’s neglected daughter. She is thin and unhealthy but not dirty or unkempt. Unhealthy!  What am I saying?  This one has been dead for maybe two thousand years. Did she die around here in some long lost dwelling, staring onto mosaic floors and frescoed walls? Was there no parent to smooth that consumptive brow? Is she another one reaching out for a comfort no-one gave her when she needed it? 

Or she doing the opposite? 

I look harder. She is restraining a cough. Is it because she is afraid to irritate someone? She’s tense and her head is down.Is she keeping small so as not to annoy someone?  

It is too much. I have nothing left to give. I remember doing the same thing. No-one was ever there for me and I am drained dry.

I close my eyes and pull my legs up onto the chair, hugging them and putting my forehead down onto my knees just like I used to.

If I sit like this, still as a statue, Father won’t notice me. If I ball myself tight, the blows will hurt less. If I don’t look at Mother, I won’t see her turn away from me when he approaches. 

I am too old and too tired to cry, but tears are in my eyes and my throat hurts. Curled up, my muscles protest. I am not a child anymore. 

But then… 

A hand is on my shoulder, a small arm embraces me. A small head has lain itself on my head. They are soft as cobwebs, unreal as dreams but stronger than iron. 

I struggle in the embrace, but it hugs me tighter. 

More arms surround me, all small, all feather-light yet stronger than steel. I am enveloped in a web of comfort. I open my eyes and peek and find myself surrounded. All of those hotel ghosts link arms around me, all of them, from the eighteenth century maid, through the lonely lover to the Roman slave.

A susurration ripples in my ears, ‘we’re sorry, we’re here. We won’t turn away.’

My soul fills with warmth.

The pain lessens. 

The misery I absorbed to mix with my own, disperses.  

Someone, at last, has come to help.

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Words and photograph copyright 2020 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission.