Branch Lines

That winter was the coldest on record.

Every morning, we shuffled like cattle on the station platform, our breath vaporising. Each of us hunched in silence as our mobile screens studded the gloom until the train arrived. Sometimes an old lady was already on board, sitting with pursed lips, clasping her handbag. She glared out of the window, come rain or gloom, in cold disapproval. Looking at my own reflection, I practised my smile and lifted my eyebrows. At least she didn’t talk. I dozed until London.

One Monday in December, the wrong kind of snow meant we had to change trains. At some backcountry station, I climbed directly into a ancient carriage dragged from old rolling-stock. Two banks of high backed seats faced each other and on the other side, a corridor led to other carriages.

There was another girl inside. She was a little younger than me, wearing a tweed skirt, red coat and low heeled lace-ups. Curls and a brown trilby framed her face. She had a sort of uniqueness that I envied, sitting opposite in my anonymous corporate clothes. Fiddling with a bracelet, she turned to the door.

Outside, the whistle blew and the girl tensed. With a clatter, the outer door opened and a young soldier collapsed onto the seat.

He held her face and kissed her. Discretely, she nodded towards me.

‘Sorry miss’, he said, lighting a cigarette and removing his cap. The girl glanced at it, her face dimmed, her smile uncurved. Muttering excuses about leaving them in peace, I made my way to another carriage. A few stations later, we changed back to a modern train.

On Tuesday and Wednesday, the train switched twice at the same out of the way stations. I rode alone, watching the dark approaching fingers of midwinter outside.

On Thursday, the girl got into my carriage again. Her smile was hesitant as she faced the door, touching her hair and pinching her cheeks. But the train pulled off and no-one else entered the carriage. She wilted then slumped. Her shoulders moved but her jaw tightened and her hands only unclenched her bag for the seconds it took to find a handkerchief and dab at tears. She was still trembling as we climbed down onto the platform but she held her breath, gritting her teeth to keep from making a noise. Before I could speak, she marched into the snowy gloom. I was standing unnerved, feeling I could be anywhere or nowhere, when the curtain of whirling white parted and the soldier grabbed my arm.

‘Oh,’ he said. ‘I thought you were… Look, if you see her, can you give her this?’ He thrust a letter into my hand and stepped away. When the station became visible again, there was just me and a few other commuters on the platform herding towards the onward train.

I pushed the envelope into my bag. I would give it to the girl tomorrow.

On Friday, everything was running normally: no more corridor trains, just modern ones with no-smoking signs, wifi and refreshments. I rushed from station to underground to office, somehow still late.

Christmas was nearly upon us, but although we exchanged cards with scenes of snow and ice, in reality, all we had was rain. A slow grey muddy drag towards the festive season began. Memories of young lovers and old fashioned carriages thawed and melted away.

One morning, the grumpy old lady joined me.

As we went through a tunnel, I saw in the window reflections that she was staring at me.
‘I recognise you,’ said the old lady, easing off her gloves and tutting as the threads of one caught on her bracelet.

‘I often catch this train,’ I said.

‘No, that’s not it.’ Her lips pursed, her brows crunched together.

She looked down at my phone’s screensaver.

‘Your young man?’

I nodded.

‘I hope he’s not the sort to leave and not say goodbye. Not the sort who’d never come back because of a row.’

She stared at the tracks outside, branched at the points, disappearing around embankments.

‘They said the war was nearly over. Why did they need him to fight?’ she murmured.

Her eyes scanned my face. ‘Your family from this way?’

I shook my head.

‘Thought maybe I once met your great grandmother or something.’ The old lady was silent for the remainder of the journey.

A few days before Christmas, the temperature dropped. First frost, then snow. Just enough snow to bring back old fashioned trains. I could live with it. In the New Year, I would be starting a new job nearer home.

At the backcountry station, the girl sat down opposite and glared. In two months, lines had become etched between her brows. She clasped her bag as if daring me to take it. I glanced at the door but she snapped: ‘They’ve shipped out. He left and never said goodbye.’

At that moment, I thought my phone vibrated and rummaging in my bag, felt a crushed letter. The girl, glaring at the aimless snowflakes, had loosened her grip on her own bag. As I hesitated, the train lurched and … a ration book fell out. My face went cold, then hot. As she leant forward, I caught her arm.

‘This is yours,’ I said, handing her the letter, ‘he gave it to me a couple of weeks ago, but I didn’t see you again. I hope…’

There was a clunk under the carriage and a pause. As she took the letter, the train changed direction. The girl opened the envelope and when we stopped, I climbed out onto a different station altogether. But the girl stayed reading the letter, her hands trembling.

That was the last of the old carriage journeys. On my last commute to London, an old couple sat opposite me. He held her face in his hands and kissed her before grinning at me and lifting his cap.

The old lady was the one I’d met before, only she wasn’t grumpy. The lines on her face were soft, her mouth ready to laugh.

After a while, her husband dozing, the old lady said, ‘I recognise you.’

‘I’m often on this train.’

‘No, that’s not it. Your family from this way?’

I shook my head.

‘Thought maybe I once met your great-grandmother or something.’

She took me in, my hair, my face, my corporate clothes, my bag, my mobile.

‘Your young man?’ she asked, nodding towards my screen saver.

I nodded.

‘Terrible winter,’ said her husband, waking up, ‘Like when we met, isn’t it dear? Teenagers, right at the end of the war. Fell in love on this train journey, then fell out, nearly finished, but somehow it came right in the end. Terrible winter, like being in a dream. Felt like anything could happen. Felt like life could have taken one wrong turn and ruined everything.’ He looked at me a bit closer, his faded eyes twinkling through the glasses, ‘were you once our postwoman?’

I shook my head.

‘Funny. I look at you and think of letters. Can’t imagine why.’

I caught the old lady’s eyes.

‘Not a postwoman,’ she said, ‘just an angel passing through. Keeping things on track.’

And she put her hand in his, put her head on his shoulder and winked.

branch lines

Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

The Nameless Manuscript

Someone was shaking me awake.

‘Train terminates here, miss,’ said the guard.

Finding myself slumped against the grimy train window, I blinked, stood up and made my way off the train. Still half asleep, I wobbled on the step and the guard helped me down as if I were an old lady or worse: tipsy.

Alone on the platform, I ran my hand across my eyes and grimaced at the soot left on my gloves.

At the barrier, the ticket collector looked askance and outside the station, the taxi man hesitated when I gave Harriet’s address, taking me in from top to toe as if ascertaining whether I could afford the fare.

‘My word,’ said Harriet, when I finally arrived at her flat, ‘did they make you travel in the coal tender?’

‘Do I look that bad?’ I looked into the mirror over her fireplace. My clothes were crumpled from the sleep and my hat askew, hitching my curls up on one side and flattening them on the other. Soot striped my eyes as if I had applied war paint.

‘I hope whatever you were doing was good copy,’ said Harriet, after I’d tidied myself up. ‘Could you put it in “Blueprint for Thingummy”?’

She nodded at my satchel, where my just-finished manuscript hid, its pages huddled within the string, tied up as a sacrifice for the publisher who’d agreed to look at it. I imagined it whimpering with the fear of being read and laughed at. I only had until tomorrow to think of a proper title.

‘Apart from the fact that it’s finished – I think – I’m not sure how I could get time-travel into it. “Blueprint” is supposed to be a murder mystery.’

‘Time-travel?’

‘It’s what happened to me on the train.’

‘I knew it,’ said Harriet, ‘trying to be an author is sending you mad. You need to stop writing and get a proper job before you get overwhelmed by delusion. And you need a stiff drink. Whatever really happened is obviously too traumatic to be solved with a cup of tea.’

‘Anything can be solved by a cup of tea.’

‘Really – you’d rather tea to a whisky and soda?’ She poured out a generous measure and waggled it at me.

‘Well maybe not tea the way you make it.’ I took the proffered glass and sat back. ‘Seriously, I really did travel in time.’

‘You were dreaming, but tell me anyway. Which era did you go visit? I always wanted to go back to Medieval times.’

‘It wasn’t back. It was forward.’

‘Robots I guess. Rocket ships.’

‘No, it wasn’t like that at all. I was on a train.’

‘Well yes. You were on a train, fast asleep.’

‘I fell asleep almost as soon as I got on and then I woke up a few minutes later. I found myself sitting at a table and all the seats were orange.’

‘Orange?’

‘And the windows were quite clean. Apart from a few rain streaks, I could see out clearly. There was no soot.’

‘That’s because it was all over your face instead.’

‘No listen, I saw the power station at Battersea.’

‘Who can see that from the train in November? The radio said there was a real pea-souper in London today.’

‘There was. Or rather there was before I fell asleep. But when I woke, the skies were completely clear. No fog, no smoke.’

‘The power station…’

‘Just a shell. With scaffolding. Everything looked both familiar and unfamiliar. I thought I saw a fisherman on the river.’

‘What could you fish out of the Thames?’

‘I dread to think. There were skyscrapers on the horizon.’

‘Like the Empire State? In London?’

‘They weren’t anything like the Empire State. I can’t even describe them.’

‘I thought you were a writer. Isn’t it your job to describe things?’

I closed my eyes and tried to remember those edifices glinting in the autumn sun. ‘They were strange shapes. One looked like a pencil with a jagged top.’

‘It was a dream.’

‘And the people in the carriage. They were different.’

‘Silver suits, ray-guns?’

‘No. They wore pretty much what we wear only not so smart. Some had suits but not many. No hats apart from two men with peaked ones a bit like schoolboys wear.’

‘Baseball caps?’

I paused, remembering staring at them, wondering whether to be affronted at the sight of men indoors who had not removed their hats. I tried to recall what a baseball player wore.

‘Maybe.’

‘So they were all scruffy, dirty?’

‘No. That’s the strange thing. They were all dressed so casually and yet they were all so clean. Apart from their shoes. Hardly anyone had polished their shoes.’

I recalled the shiny hair, the smell of laundry soap, scent; the clear skin and eyes. There had been no odour of tobacco or coal or sweat. There was a strange smell which I couldn’t place and I wondered if it came from the orange seats which were made from something like rayon or from the structure of the carriage interior itself which appeared to be made of pale Bakelite. It was not unpleasant, just odd.

‘Some of the women wore a lot of cosmetic and others none. And no-one smoked.’

‘No-one?’

‘I know. I felt a bit rattled. I was afraid I might smell and must look peculiar with my hat and red suit and shiny shoes and brown satchel. But no-one paid me any attention till I got my cigarettes out.’

‘What did they do?’

‘They frowned and tutted and one of them nodded at the window. I thought he meant I should open it or something. Then I saw a sign. It was a sort of black sketch of a smoking cigarette with a red line through it. So I put my cigarettes away and said sorry.’

‘And then…’

‘I was ignored again. They were all staring at things – oblong bits of Bakelite – all sizes. There were flat folding typewriters. People were typing away, though I couldn’t see where the paper went. Others were looking at silent movies on tiny screens – I don’t know where the projectors were and they had wires stuck in their ears. And some were reading or writing by tapping on the glass with their fingers. Oh I can’t explain.’

‘I’m telling you. You’ve been working on that novel too hard. It’s worn out your brain. Typing without paper, writing with fingers…’

‘And then the train stopped at Vauxhall (which looked very strange) and one of the girls at my table left her oblong thing behind. I stood up to try and call her, but she’d had to walk down a long aisle and I couldn’t see her. I heard a whistle and some beeping and then the train started up. I fell back in my seat and bumped my head. Next thing I knew, I was being woken up by the guard down here.’

‘My dear,’ said Harriet, pouring me another whisky, ‘you’ve been watching too many scary movies.’

‘It wasn’t a dream. It was all real.’

Harriet stubbed out her cigarette and nodded towards my satchel. ‘OK. If you say so. Are you going to show me your masterpiece or not? I want to be able to say I handled it just before the publisher snapped it up.’

Unbuckling the straps. I pulled out the manuscript, and with it came the girl’s oblong Bakelite thing. It was about eight inches by five, flat, glass on one side and dull black on the other, like a picture frame without a picture. When I touched it, a sunset appeared and when I pressed a button, the image was replaced with a grid of numbers and the words ‘enter passcode’. Just to see what happened, I touched out the first number which came to mind: the year, 1932.

The numbers disappeared and words replaced them…including my name.

I read aloud, ‘“In the early thirties, my great-grandmother had a strange experience on the train out of London. She was on the way to her publisher with the manuscript we now know as the best-selling masterpiece of classic detective fiction called…”’

The glass went black but for a whirring circle and some incomprehensible words. Then they too disappeared and nothing happened when I pressed the button.

I shook the object to see if it would do anything else. It didn’t.

Harriet lit a new cigarette.

I sighed and contemplated the depleted whisky bottle.

It had been a very strange day and no matter what the oblong thing said, I still had to decide a name for my novel.

As if reading my mind, Harriet said ‘Maybe your book will turn out to be a best-selling masterpiece, but I think you should stick to the title “Blueprint for Thingummy”. I can’t imagine any kind of world in which “Battery drained, shutting down” has any kind of meaning at all. Can you?”

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Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

(This story started as a prompt on a Facebook page to write 750 words including “Blue-print”, “delusion” and “fisherman”. I started writing it on a train journey and was having so much fun I doubled the word limit! – I did post an edited version though…)