My first recollection of stories on audio was listening to my father’s recordings of The Goon Show via reel-to-reel tape. Incomprehensible as the humour was to a three year old, it was hard not to enjoy songs called I’m Walking Backwards to Christmas and The Ying Tong Song.
Then there were records with a story combined with classical music: Peter and the Wolf and Carnival of the Animals, being the two I most remember. No matter how often I heard the first, the dramatic voice of the narrator never ceased to thrill me. Would Peter capture the wolf? Would his pet duck survive? In contrast, the beautiful soft narration in a French accent of Carnival of the Animals was relaxing. It created forever an understanding of the power of music and words combined (and a deep but unfulfilled longing to play the cello).
But the first audio books that were just for me were the Ponder and William stories by Barbara Softly, in which a little boy’s panda pyjama case comes alive to have adventure with him. These stories were not only on records, but on brightly coloured records – red and green I seem to recall. I would sit with my mother and listen to them over and over. ‘“Away sea! Away!” cried Ponder’ is the only thing I can remember (forever making me associate a panda pyjama case with King Canute).
After that, I could read to myself, but to help me, I had some of the Disney stories in little books with accompanying records. As I followed the words, I had to turn the page whenever Tinkerbell ‘tinkled her little bell’. I don’t remember anything similar for a while after that. I could read well and borrowed voraciously from the library, but there were (as far I can recall) no audiobooks available. The thought of listening to a story other than on the radio, sort of slipped my mind until…
The early 1990s:
Pre-children, my husband and I did a lot of touring/camping in France. We rarely reserved a pitch but found out of the way places via a Michelin camping guide published in French, decided whether we liked them on arrival and then established whether they had any ‘emplacements’ available (this mostly worked… however that’s another story).
The journey was around 820 mile from home in Gloucestershire via the ferry in Portsmouth down to the Perigord. To while away the long driving time, I borrowed audio books (in cassette form) from the library to listen to en route. There was one which I will forever associate with being slightly lost in a mountainous, forested region of central France.
After nearly thirty years, neither of us can now recall much (this is true of more than audiobooks). My husband was concentrating on negotiating ever narrowing roads in a car that had broken down twice by that point, and I was working out where we were on the map, comparing it with the campsite guide and practising my abysmal French for when we arrived and I had to book us in.
What we can recall is that the story was a thriller with a luscious sort of femme fatale as one of the villains and also, I think, a volcano which was threatening to erupt before the hero could save the day. We lost count of how many times this wicked woman’s sexy figure-hugging dresses, long legs, rich red lipstick and glossy red nails were described, not to mention her mesmerising green eyes and long, silky dark hair, but somehow she got us to the campsite safely, without anything or anyone blowing up.
A decade later, I borrowed children’s audio books in CD format for long journeys from our home (now in Dorset) to visit my children’s grandparents in Wales or my sister in the Midlands. They were either thrilling stories for my son (the Shapeshifter series by Ali Sparkes for example) – reminding me of how good and gripping children’s fiction can be or silly ones for my daughter (Diary of a Wimpy Kid for example) – reminding me of how simply funny children’s fiction can be.
Now of course, audiobooks are available on apps and I often listen on long journeys by train or plane.
For me at least, the process of listening to a story rather than reading a story is quite different. When reading, my eyes are concentrating on the words which convert into images. When listening, my eyes are free to look elsewhere.
So my perceptions of listening to a story include the surroundings as the tale. This goes back to childhood when my parents read to me. The Narnia books and Alice in Wonderland are inextricably connected to the big red chair that my father sat in while reading. Watership Down is associated with the vaguely orange glow of the interior of a 1970s touring caravan lit by gas mantles.
Nowadays, audio books listened to while travelling links to the sense of motion and adventure. The story still goes into my head, it just goes in differently. And somehow I never lose the thrill of the story or the comfort of being read to.
There are some that say listening to an audiobook is not the same as reading. I disagree. Your brain processes it differently (or at least mine does), but oral story telling existed for centuries before the written word. Without those ancestors who passed down tales and sagas and myths from generation to generation round a fire, no one would ever have thought about writing or printing them when written language came into being. And so many of the same old stories appear in cultures and communities all over the world. The Flood story for example, versions of Cinderella and Snow White. (If you don’t believe me, read Angela Carter’s Book of Fairy Tales).
Audiobooks are not new, they’ve been around for nearly a hundred years. The first audiobooks were created for the visually impaired in 1934 and the first commercially produced audiobook (stories by Dylan Thomas) was made available in 1952.
Audiobooks are a boon: for those with sight impairment; for those who want to listen while doing something else – a craft, sewing, cooking, ironing etc; for those whose personalities or abilities make it hard for them to concentrate on a looking at a page, but who can and often do listen better while doing something else (my son, who has ADHD, for example recently listened to Dune, knowing he would never get round to reading it but really wanting to know the novel as it was written before seeing the film).
A story at the end of the day is a story. The enjoyment of a good tale, whether told in a book, a song, a film, a play or just told by someone sitting and speaking is an integral part of the human experience.
So without rambling on any further, here’s my news in case you don’t know. I have been really keen to get my own books turned into audio books and I’m pleased to say that the process has started. The Wrong Sort To Die, is now in audio book form and available from Amazon, Audible and iTunes.
In case you’re wondering how the process works for an indie author, in brief, I created a document of extracts from the book and ‘auditioned’ those interested in being the narrator. It took some time to whittle down to the one I chose as there are, frankly, so many excellent narrators out there. I am delighted in the one I chose, Madeleine Brolly who narrates beautifully, managing the various accents and characters.
Once she’d completed her narration, I then had to ‘proof-listen’. It is very odd listening to your own words read back to you and odder when you’re listening while reading your own book at the same time. What pleased me was how caught up I got in it myself, even though I had written it. I am looking forward to working with Madeline on Death In The Last Reel soon.
For anyone who’s interested in hearing for yourself here are some links.
For audible in US, UK, France and Germany click on the relevant link below:
Germany – Audible – Click Here
Click here for the universal Amazon/Audible/iTunes link
Words copyright 2022 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission.
Image of CD: https://pixabay.com/vectors/cd-dvd-music-play-shine-digital-42872/ Image of cassette: https://pixabay.com/photos/music-cassette-audio-magnetic-tape-1436277/ Image of Ponder & William record from https://www.discogs.com/release/14520264-David-Stevens-Ponder-and-William-Part-2 Image of audiobook app and headphones (adapted) https://www.dreamstime.com/stock-illustration-concept-audio-book-headphones-vector-illustration-flat-design-image67839801
2 thoughts on “Hear All About It”
Fascinating background, Paula – You had me intrigued by the first Ying Tong. 😀
As you know I read and enjoyed Wrong Sort so it’s going to be an interesting experience listening to it. Good Luck with the audio. x
Really fantastic newsletter today, Paula. I enjoyed reading it and thought of many records I listened to while growing up like Peter and the Wolf. I have recently been listening to a couple audiobooks and enjoyed my time with them. But you made me realize I would enjoy tracking down a few from my childhood I would love to re-experience like the vinyl version of The Hobbit produced by Rankin & Bass and an early Star Wars record with Mark Hammil performing Luke I remember having some additional sequences not in the film + some Halloween records that had ghosts and ghouls, a haunted house with a voice that wasn’t Boris Karloff but was as effective in his narration + a Mickey Mouse, Goofy, Donald Duck and Pluto vs some thieving ghosts or some such that’s also a famously known animated film. But I remember listening to the old scratchy record often. There was one about Daniel Boone I remember having individual story sequences about Davy Crockett and Paul Bunyan as well. I remember wearing my Daniel Boone/Davy Crockett coon hat while listening to them in my room prancing about with my imaginary rifle in hand and food rations to the side of my imaginary campfire like my silver canteen, a banana and P&J sandwiches my mom made for my adventure! Thanks for that.