Tales of a Country(ish) Mouse

Although I was born in London, I’ve lived in small towns and villages since the age of eighteen months and consider myself a sort of country mouse. Of course, I’ll never be a ‘local’ since I don’t at least three generations of family in the graveyard.

I have no idea therefore what it’s like to live in a city. Would people really step over you while you expired on the pavement (which was my mother’s view when she married Dad and moved into inner London)? Do city dwellers ever notice anything their neighbours do? Most importantly, are there any handy wisewomen in an inner city ready to do the necessary?

At sixteen, when I lived in a village and went to school in a nearby town, I developed a wart on my knee and was very distressed, as it was obviously going to ruin my chances of ever getting a boyfriend.

I was distressed enough to consider consulting one of the girls at school, whose mother was rumoured to be a wisewoman. Allegedly she could remove warts by the time-honoured method of putting a steak on it, then burying the steak at midnight at full moon.

99% of me doubted that (a) this would work and (b) anyone would spend a small fortune on steak for supernatural purposes. It wasn’t a rich area, and I could imagine locals offering her a slice of Spam maybe, but steak was/is rather too expensive and delicious to waste on ‘a rounded excrescence’.

Anyway I had no money, and doubted my parents would give any some for vain magical purposes. Furthermore, the girl lived in another village entirely and the buses stopped running after 9.30 p.m., so how would I get myself, the wart and the steak to her for midnight?

Fortunately for me and my love life, one day I was late for the bus, tripped over the kerb in my hurry and fell flat on my face moments before it arrived. I limped aboard, waved my pass and sat down only to realise that the wart had been knocked off. It never grew back.

Ten years later I was living in a completely different place. This was a small town rather than a village, and the wisewomen were rumoured to hang out in specific parts of a forest a few miles away. However I do sometimes wonder.

One day I was driving to work and had a minor accident. (Minor for me – I only had a whiplash injury, not so minor for the car which was my sister’s and had to be written off – I think she still holds this against me.) I was five miles from home and ten miles from the wisewoman forest. Nevertheless, about a week later after the neck brace had come off, the milk lady (doorstep deliverer of pre-ordered milk and eggs) came round for that week’s money. Now bear in mind that the dairy was in a village in a different direction again.

‘Good evening,’ she said. ‘Heard you had an accident in [name of village] last week. You OK?’

Pre social media and mobiles for anyone but the rich, how did she know?

When we married, my husband came to live in that town with me. As a lifetime city dweller, he rather scathingly referred to it as a one-horse-chicken town or an S-bend with chip shops. I got fed up with this (it was an S-bend with chip shops, plus Indian and Chinese takeaways duh) and was highly amused when some family genealogy discovered that a quarter of his ancestors originated five miles from this one-horse-chicken-town (broadly in the direction of the wisewomen’s wood) and had been buried in that graveyard for about fifty generations before one of them had enough and moved to the ‘big’ city (Gloucester) and their descendants to bigger places.

After about eleven years, the opportunity came up to move to a different county entirely, and we looked on this as a sort of adventure. I initially found it very difficult adventure but that’s another story – let’s stick to the nice stuff which by far outweighed the hard stuff.

My husband rented on his own in a village for a few months till the end of the summer term when the children and I joined him. We lived there while we sold one house and bought another. Until we turned up, I don’t think my husband had really seen anyone in the village because he was working long hours several miles away and came back to us at weekends, but literally moments after I moved in with the children we had a series of visitors.

The first was a lady from the Women’s Institute armed with home-grown vegetables and jam, inviting me to join the group. The second was a retired vicar inviting us to church and the children to Sunday School. The third was someone with information about things on at the village hall. It was rather heart-warming, but there was a tiny bit of me that worried that we’d moved into an episode of ‘Midsummer Murders’ and wondered whether we were going to be victims or witnesses.

By the time we moved again, just before Christmas, into our (hopefully) forever home, it was teeming with rain, the house was freezing and our washing machine packed in. Although it was upsetting at the time, it was the kindness of virtual strangers – people I’d known for a total of three months – who chipped in to help with laundry, emergency child minding, endless coffee/tea/cake, plants, school lifts and most importantly friendship while we adapted.

Country life is also entertaining. Would the following happen in a city? You’ll have to tell me.

Several years ago, old, yellow, disintegrating bones appeared poking through the grass outside the parish church. They were reported to the police and a young PC turned up and spoke to the church secretary.

‘We’ll have to get a pathologist and the coroner and who knows what,’ he said. ‘I mean it could be a murder.’

‘Unlikely though possible,’ she said. ‘But you’re hardly going to catch the murderer now.’

‘How do you know? They’re human bones!’

‘Yes, but look behind you – it’s the church. Look round – it’s the church yard. Those sticking up stones with writing on date 1790 and 1801 are – oddly enough – gravestones. No one has been buried here for two hundred years and those bones are very very old. I’ve no idea how they’ve got to the surface but…’

‘Oh. Yeah. Well. It’s protocol innit.’

A couple of weekends ago, I met a friend for lunch in yet another country town. He’s recently moved away but this was the town he originated from and he was back visiting family.

He was running late because he was walking into town in the rain, and while waiting I was engaged in conversation by an elderly man at a nearby table who wanted to know where I was from and if I’d travelled by bus.

Being me, I started feeling guilty about the fact that I’d driven there, even though the bus service is generally terrible. Then the man listed all the main buildings and businesses he could think of in my town and asked if they still existed.

I informed him that a café was now an optician and an Italian restaurant was now a Gurkha restaurant and was totally blank about somewhere I’d never heard of. He seemed to view this as my fault. I think he was about to move on to how many of my ancestors were in my local graveyard – and be disgusted when I said none that I knew of – when thankfully my friend turned up.

Afterwards, I offered my friend a lift back to his family’s house (as it was still raining) and we walked back to the carpark via an upmarket supermarket because I needed to pick up a few things. He said ‘Do you know, I lived here most of my life, yet I never recognise anyone in the street.’

I said, ‘Do you know, I never come here without meeting at least one person who seems to be the result of three hundred years of inbreeding. Present company excepted.’

‘It’s not really that bad,’ he said with an unconvincing chuckle.

We then went to an upmarket supermarket and waited in the basket only queue. An oldish man came up to me and more or less shouted in my face ‘Where’s the tea?’

I said ‘Er… I don’t know but there’s the coffee [pointing] Maybe it’s there.’

‘OK,’ he said, then stabbed a finger at a small crate that was nearby waiting for staff to unload things onto shelves. It had a banana on top of it alongside a packet of biscuits. ‘See that banana?’

‘Er yes.’

‘That’s my banana. Don’t let anyone touch it. If anyone touches my banana I’m gonna, I’m gonna… no I can’t tell you what I’m gonna do. You’re a lady.’

‘Er OK.’

He wandered off and I said to my friend ‘I rest my case’ and then went to be served.

Now bearing in mind this is an upmarket supermarket, where one might expect superlative customer service, the woman behind the till, like the Tar Baby, she said nothing. She simply stared as if waiting me to mindread. I waved my loyalty card under the scanner and waited for her to say something to confirm it had worked.

She said nothing.

‘Has it scanned?’ I said.

She nodded slowly and deeply and then with the sigh of someone who’d been asked to ladle sand with a sieve, scanned my two items of shopping then waited for me to mindread again. No ‘That’ll be £2.78’. No ‘Card or cash?’

She said nothing.

So I waved my bank card, feeling somewhat unnerved. She pressed a few buttons and eventually the payment went through. Then with evident disgust at having to utter, she barked ‘Receipt?’

I said no, walked out, turned to my friend and said ‘I rest my case again.’

OK OK. So as far as I can establish, my Scottish ancestors lived in a tiny area for generations before one of them got fed up and moved to a big city (Glasgow) and met someone doing the same from a different tiny area. I am also still totally confused about my Kent ancestors, who probably also swilled round in the same area until it was absorbed by London. So what with that subconscious knowledge and what I’ve learned over years of living in small towns, I’ve long decided not to do anything dubious, as there’s a reasonable chance that everyone in a ten mile radius will know about it within ten seconds – possibly before I even realise I’ve done it.

So I think back to my mother talking about her loneliness, aged twenty-three, moving to North London when she was newly married, feeling as if she could die in the street and no one would care and I felt very grateful.

I know that if I collapsed in my town, not only would people care but everyone in a ten mile radius would know before the police did and post it on social media.

And for the record, just in case I develop a wart again, I know where a wisewoman is too! (Although she’s most likely to tell me to get a grip and have a glass of something nice and forget the wart, than ask me to waste a steak or spoil a midnight walk at full moon. Plus she’s vegetarian and I’m not sure it would work with tofu. Then again, I haven’t actually asked her…)

Copyright Words (c) 2024 Paula Harmon. Not to be used without the author’s express permission. Image: Illustration 185276076 © Galyna Novykova | Dreamstime.com

When Is A Marble…

When is a marble not a marble?

You may have realised that I’m a bit of a hoarder. Whether this is by nature or nurture I don’t know. My husband is not much better, although in his case, he may have caught it from me.

In the last few years, we have become a good deal better at decluttering. In 2019, both children having gone to university, we thought we’d finally get round to decluttering completely, and even tackling the attic with its decades of ‘stuff’. Then of course, 2020 hit and one child, and then the other and then my son’s partner, all came home to live, each complete with a flat’s worth of belongings. Now they’ve all gone again (albeit leaving us with some of their belongings) and since we’ve both semi-retired, we’re back to plan A.

This month we have been tackling the kitchen which, after many years of being on its last legs is being replaced, and excavating the bureau (not as fancy as it sounds) to make space for some of the surplus stuff from the kitchen drawers, as the new configuration is slightly different. The whole process (not yet complete) has been like a combination of archaeological dig and detoxification as we decide what to ditch, donate or cherish (can’t think of a third D).

When I say my hoarding might be nature or nurture, it’s because of my dad. I think he was part (friendly) dragon who hoarded almost everything except gold. He’d have been rubbish at hoarding any gold other than his heart, because he’d have used it to buy things he found more interesting.

Knowing him, I can imagine him thinking that each item he owned (four million more items than I own) from battered novelty mug to box of beads to books (especially books) to old toys, all had stories to tell, and if they didn’t, he’d make up stories about them.

He’s sadly no longer here to think anything up about what I was unearthing today, but maybe you want some story prompts. So ignoring the various plastic spoons, swimming badges, hair clips and the (so far) twenty-four pens, eighteen of which actually work, these are things with stories to tell:

A forgotten Schaeffer pen given to me for some important birthday or other (presumably not my sixteenth, or I’d have used it in my O levels and not had a pen explode on my half-way through a Latin exam). And some masking fluid which would have come in handy this week while I did a sketching/watercolouring challenge.

An early personal radio complete with headphones, some unreadable floppy disks. If I ever manage to access the files will they be unreadable too?

A correction fluid pen for all those typed mistakes…

Our wedding invitation which I designed and had printed, in the days before many people had home PCs or a usable graphic design programme. We were paying for most of the wedding ourselves and were short of money and besides, didn’t think spending a lot on the wedding was as important as not being in debt afterwards, so this was one of our little economies.

Lots and lots of photographs and some photographic slides. The oldest photo in this excavation was of my grandparents in the 1930s, possibly fairly newly married and on a beach somewhere.

Two old school reports, including one that said I (aged eight) was very very serious but finally starting to settle into my second school and they’d like to see me less serious. (Shortly afterwards we moved to a new town and I moved to a third school and I don’t think I stopped being serious for the best part of another fifteen years.)

A lot of old cards, including the ones wishing me well when I was diagnosed with breast cancer in 2020. I read them through fondly but in the end, decided to let them go and let the misery and anxiety of that time go with them, and keep the love they represented deep inside, where it has been since I received them and will always be.

And then there are the things that need stories to be created for them. What would you do with these?

Two ghost doors. Yes, you read that right. Stripping out the old kitchen revealed not only the ‘ghost’ of what had been once the front door (which had been down the side of the house for reasons we’ve yet to discover), but also the ‘ghost’ of another door we hadn’t known had been there at all or why it was six inches from the other door. They’d been blocked in very shoddily. Perhaps this explains the freezing cold draught that came through my baking tin/saucepan cupboard in winter. Unless it was a ghost or two using the ghost doors of course…

Next, the treasure. This consists, sadly, of just a twenty euro-cent piece, five pfennigs and a zloty. (But why do we have a zloty? None of us have ever been to Poland.)

Finally, there were the marbles. Whenever I say I’m losing my marbles, it’s partly literal. This bag of marbles, turn up every few years when I do a major declutter and then I put them away and they disappear again. I swear they’ve never appeared in the same place twice. I don’t even know why we have them or when we got them or where we got them from. And this time, there’s even a marble that isn’t a marble.

So what’s the answer to my opening question? When is a missing marble not a marble? When it’s a mysterious squarish piece of crystal which I don’t recall buying either. Am I being visited by aliens or fairies?

Go on – as I shove these treasures back in the bureau – what could they all be?

Words and Photograph (c) 2023 Paula Harmon. Not to be used without prior permission.

Bonfire Night

(An extract from The Cluttering Discombobulator)

1974 November – I remember

And then there was the time Dad threw a firework party. 

In those days and where we lived, Hallowe’en wasn’t much of a thing. If you wanted sweets pretty much for nothing, you waited till Christmas when you could go carol singing or, on 5th November, you made an effigy out of newspaper and old clothes and trailed round the houses demanding ‘a penny for the guy’. At the end of the day, the guy would be put on top of a bonfire and set alight. Any vague sensitivities I might have had about the facts behind the tradition (I was that kind of child) were put aside for the sake of hard cash. Such was quite possibly the reality about the real Guy Fawkes’s fate too. We preferred actual sweets but even a penny wasn’t to be sniffed at since you could still get a quarter of sherbet from the post-office shop for about 10p. Or maybe you couldn’t. It’s a long time ago. 

This was the year when Mum handed over with suspicious dexterity, Dad’s most disreputable jumper and trousers to dress the guy. We made the guy a head out of a paper bag and were disappointed that Mum wouldn’t hand over one of Dad’s hats. But Mum was wise. Dad would have spotted the hat whereas he couldn’t be sure about the clothes. 

The good thing about bonfire night is that it’s in November. By the time we were hoisting the guy onto the bonfire, it was dark. Dad, squinting at its attire with a slight frown, dismissed the thought that his own wife could be so duplicitous as to sacrifice his favourite tramp dressing-up outfit. Shaking the idea out of his head, he turned to plan the firework display.

The guests were, as far as I recall, Dad’s colleagues from the office. What they made of the ascent to our road, with its double hair-pin bend I’ve no idea. So, it was November and it was dark and spitting with rain. The bonfire blazed, consuming the guy in Dad’s oldest clothes. Jane and I wrote our names in the air with sparklers. 

We all stood around in the damp cold watching Dad and a friend light fireworks. 

Every time Dad lit the blue touch-paper, we tensed in case nothing happened. Then there was a soft fzz, a brief silence followed by a gentle sizzle and a few sparks which turned into a roar and cascade of colour: Roman candles, flares and fountains spat golds and reds and greens in every direction. 

Then the rockets, fired into the starless night, higher than the roofs, higher than the mountain, exploding above our heads and cascading in shreds of silver and gold, spiralling down and down and melting into nothing. 

‘Last but not least, the Catherine wheel!’ said Dad. He nailed it to a fence post and lit the paper.  But by now the spitting rain had passed through a bad tempered drizzle and was starting to drench into everyone’s clothes.  

‘Inside the garage!’ said Dad.

The garage was huge. There was room for two cars but it had never housed any or at least none of ours because there was no room. It was full of clutter – half of it was a heavy duty version of indoors without the books.

Dad nailed the Catherine Wheel to a random piece of wood and positioned it upright using the vice on his workbench. 

He relit the fuse.

Again, there was the fzz and the pause and then with the fury of a small dragon who’s trapped his tail in a revolving door, the Catherine Wheel started to spin and spit sparks. For a couple of minutes, it lit up the open mouthed faces of the watchers. It lit up the lawnmower and the garden tools and the plant pots and the empty jars. It lit up bicycles, roller skates, the discarded doll’s pram and Mum’s 1950s ice-skates and snow shoes. It lit up the lathe, a straw archery butt, some old packing cases with newspaper in, the half finished wooden-dolls-house, the half-finished doll’s cradle, the cat basket and the abandoned ant farm.

Then the garage filled with thick, black smoke.

Coughing and scrambling, the blinded guests helped each other outside into the early stages of a downpour.

‘It’s fine,’ called Dad, ‘it’s gone out now!’

‘The thing about Robert,’ choked out one of his colleagues, ‘he’s either mad or a genius.’

‘He might be both,’ coughed the other, ‘but either way, he’s unforgettable.’

This is an extract from my book ‘The Cluttering Discombobulator‘ an amalgam of things that really happened (including this) and things that might have in my father’s imagination.

https://www.dreamstime.com/royalty-free-stock-photo-fireworks-november-th-guy-fawkes-night-celebration-party-display-festival-image39505685

Pests

Bertram smirked as he dropped his handful of dirt onto Aunt Hepzibah’s coffin. Daft old biddy. No sense of humour. Giving him a thrashing just for dropping spiders down her back while she snoozed. What else was he supposed to do on childhood duty visits?

If she hadn’t been so bad tempered, maybe he wouldn’t have put beetles in her bed or ants in the pepper grinder or crickets in her pistachio ice cream. Or maybe he would. He bit his lip, thinking of all those tricks he played on the miserable old girl when he was a kid. What a laugh. 

As others tossed handfuls of dirt and the odd flower into the grave, Bertram leaned over to watch the large spider he’d wrapped in earth, wriggle free and scuttle across the name-plate. He sniggered. Touché Aunt Hepzibah, little Bertie’s done it again. 

Some dusty old relic of a relation glared and tutted, but Bertram just smirked back.

At the post funeral lunch, the cold buffet was as dry as the company. He looked askance at his cousin Angelina, who was dabbing her eyes. But then Angelina always had been as wet as her name, buttering up their aunt with little gifts and hugs; crying whenever Bertram played jokes on her.

He started to creep up to make her shriek when the solicitor announced the reading of the will.

Bertram nearly fell off his chair when the solicitor announced Aunt Hepzibah had left her house to him. All the relations stopped sniffing to stare and mutter.

‘There is a proviso,’ continued the solicitor. ‘The house will only be yours once you’ve spent the whole of tonight in it, not leaving till seven a.m. tomorrow.’

Bertram snorted. It would be a piece of cake.

‘Are you sure you’ll be all right?’ said Angelina. ‘If you want me, I’ll be in the hotel down the road.’ 

What a drip she was.

***

A few hours later, at three a.m. Bertram found himself in Angelina’s room at the hotel, shaking. He had run all the way down the road stark naked, his glories flapping in the wind, and legged it up the drainpipe despite the flakes of rust and rose thorns stabbing delicate body parts. Now he wore Angelina’s pink frilly dressing gown which just about covered his dignity. A glass of whisky rattled against his teeth.

For a cousin who’d last seen him naked when they were three and who hadn’t seen him at all seen since they were twelve, and whom he’d thought rather prim, Angelina seemed quite mellow despite having a naked, trembling man in her room. 

‘What happened?’ she asked. ‘What made you run?’

A small whimper came from Bertram’s lips before he managed to stutter: ‘Spiders, spiders everywhere. Earwigs, beetles, tarantulas probably. They came out from the walls, down from the ceiling… they were all over me…it was terrible.’

He took a swig of whisky and rearranged the dressing gown which had fallen apart. A man is not at his best when frightened.

He looked up and saw Angelina was biting her lip. How sweet that she was concerned. Then she handed over an envelope.

Inside was a note in Aunt Hepzibah’s scrawl: 

‘Thanks for all the fun Bertram. But at long last, I’ve had the last laugh.’

Words copyright 2021 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission. Image http://www.dreamstime.com/photos-images/spider.html

Hallowe’en 2020 – Post Event Evaluation

‘Failed!’ shouted the new Head of Haunting, slapping a ghostly performance dashboard. ‘All you have to do was scare people witless. One night. Once a year. That’s it. We talked it through. We had a plan. But you failed.’

We didn’t have a plan,’ muttered the Elf Queen. ‘You did.’

The Head of Haunting flicked her a glare. ‘I’m getting the flip chart and sticky-notes.’ He vanished into another dimension.

‘Oh no,’ grumbled a spectral Train-Driver. ‘He’s going to do modern management. That’s what comes from recruiting fast-screamers. None of that rubbish in my day.’

‘When was your day exactly?’ breathed the Chief Ghoul.

‘Before the Romans,’ said the Train-Driver. ‘Started on a ghost chariot, then half a millennium later I got a carriage with skeleton horses, then in 1860, I started running the midnight special from Waterloo to Hades. Mwaha—’ He slumped. ‘My heart’s not in it this year. Not that I’ve got one. The druids removed it. Weirdos.’

‘Meh. Druids,’ said the Elf Queen. ‘They weren’t as weird as the Rock Shifters. All those stupid massive stones – “right a bit, left a bit, can’t have them misaligned or the elves’ll come in”. Like a lump of rock’s gonna stop The Fair Folk from crossing the veil.’

‘Unless the lump of rock’s got iron,’ suggested the Ghoul. ‘That does for you and witches doesn’t it?’

‘Like that’s logical,’ said the Spokeswitch. ‘The Rock Shifters didn’t have iron. And what do you think my best eye-of-toad boiling cauldron was made of?’

The Elf Queen sighed. ‘Life used to be simple. We crossed the veil, had a bit of a laugh and popped back again. My grandmother says… Oh hang on, he’s back.’

The Head of Haunting reappeared and pinned some transparent flip-chart covered in sticky-notes to the ether. One by one, the sticky-notes slid off and vanished. ‘Right!’ he snapped. ‘Ghosts, ghouls and witches: the Existential-Dreadograph didn’t shift one bit on Hallowe’en. What went wrong?’

‘We tried,’ said the Train-Driver after a pause. ‘But humans seem beyond scaring this year.’

‘Humph.’ The Head of Haunting turned his icy glare on the Elf Queen. ‘What’s the elves’ excuse? All you had to do was lure a few foolish mortals back to our realm. But I gather not one of you did. In fact-’ he flicked a ghostly finger down an eek-Pad, ‘-according to the data, none of you has crossed the veil since last Winter Solstice. Why not?’

The Elf Queen shuddered. ‘What fool would want to visit the human realm this year? And as for luring people back, we wouldn’t need to lure them. They’d be fighting to come here even if we admitted there was no gold or lover waiting, just… processing.’

‘It’s true,’ breathed the ghoul. ‘Hallowe’en was wasted this year. Everything is already too scary in the mortal realm. Put away your problem-solve mate and admit the truth. We just can’t compete with 2020.’

Words and photograph copyright 2020 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission.

Dog’s Diary: a Day in the Life

7am.
Waking the Idiot was more fun than usual this morning. All the extra weight I’ve gained made a lot of difference when I jumped on her and then sat on her chest. Her face went an odd shade of grey. It was a shame to find that my tongue is now too fat to get in her ear to extract the wax, but it was fun finding out. For me.

7.15am.
The Idiot is mad. Did she really think I was going out in that rain just because she wanted me to? And on a lead. Per-lease. I’m sure there’s a pile of paper somewhere if I need to do anything private. I’m certainly not doing it with an audience.

7:30am
What was this stuff she expected me to eat? (It smelt quite nice, but I ignored it on principle. She should have shared her bacon sandwich.)

7.45am
BOOOOOOOORED. Need to recharge.

1pm.
Exhausted. My sleep was constantly interrupted by her waking me to ask if I wanted walkies. It’s still raining. I thought perhaps she was lonely and sat on her computer keyboard. I hope she washes her mouth out with soap after she called me all those names. 

4pm.
The Fool was chucked out first thing this morning but clearly didn’t know what to do. Could have sat under a bush, could have gone to ‘Mrs Cake’ three doors down and eaten treats, but noooo, don’t let’s use our brains, let’s just sit in the rain looking confused for hours. He looks like a dead rat. The Idiot finally realised and brought him in and is now trying to dry him with a towel. I never get that kind of treatment. Although there’d be trouble if she tried. 

5pm.
OK so I’m now a bit desperate and I can’t find any paper except for the pile next to her keyboard. I’ve tried sneaking up on top when she slopes off to make more tea, but all this extra weight meant I couldn’t heave myself up properly. Now there is paper all over the floor, the Idiot’s probably using more bad language, but it’s hard to tell because she’s crying too. I would hide under the sofa but I have a sneaky feeling my bum would stick out. I miss my old figure. The Fool is eating my food as well as his. Gutbucket. I want it now. It’s not fair. Just because I’ve ignored it all day doesn’t mean I didn’t want it eventually.

7pm.
Bored again. Need something to do.

7.05pm.
Well that was rubbish. She doesn’t usually mind when I rush round the furniture and up the curtains. Usually she films it and puts it online. She’s NEVER chucked me into the back garden in the rain. And I can’t get under a bush with this body. And now the curtains have been pulled off the wall I can see right into the sitting room and the Fool has finally got the hang of things and is curled up all smug on the Idiot’s lap. 

7.30pm.
The Idiot has relented and brought me indoors but if she thinks she’s getting me rolled up in towel, she’s got another think coming. I’ve got more important things to do. I hate being a dog and the Fool is rubbish at being a cat.
Where’s that spell book?
Time to reverse the body swap.

dog&book

Words copyright 2018 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission.

Photograph a composite of two from Pixabay.

Put Down The Embroidery, We’re Going In

Just for the record, I have nothing against embroidery (with the exception of the interminable cross-stitch on gingham tray cloth I had to make in school aged nine). Although I’m a bit too impatient for french-knotting and even less patient when it comes to knitting, I do love dress-making and a number of other activities which are traditionally ‘girly.’

But that’s because I have options. 

If the most dangerous pursuit I was allowed involved the risk of stabbing myself with a needle, I think I’d be learning to sky-dive instead.

When Liz asked me to collaborate on a novel and we had to work out where to begin, it seemed logical to me to write something set in Victorian England. I’m not sure if this is because it fitted in with some of Liz’s other books or because it appealed to me anyway. It was winter when we started talking about it and one lunch-time, I was staring out of the office window into gloom. The day before I’d been doing the same thing in London, where I work regularly. Something popped into my head: a mysterious letter. 

I tapped an enigmatic letter into my phone and sent it as a message to Liz.

‘Ooh’ she replied. And that’s where we started from. 

Who is the letter-writer? Male? Female? Friend? Foe? To whom is the letter addressed? Who is going to find out?

As young middle-class women in the late nineteenth century, Katherine and Connie find life quite restrictive, but underneath the constraints of staying respectable, they are no different to young women today or in any other generation: bored by routine, irritated by authority, straining against the ‘rules’.

And so, when Katherine opens a mysterious letter, she opens the door to a whole new world of adventure.

Now and again, she may even yearn for a bit of embroidery, just for some light relief.

Liz and I have had so much fun writing about Katherine and Connie, arguing and teasing each other via Google Docs and Messenger while we were editing almost as much as Katherine and Connie argue and tease each other in the books.

The Case of the Black Tulips, first in a series, comes out on 19th June. If you like feisty female characters and fancy a mystery set in London, November 1890, then have a look. It’s currently 99p/99c as a pre-order e-book. Paperback details will come out shortly.

It might be something worth putting down your embroidery for.

Venturing Out

Finding the Plot – Venturing Out part two

Books by Paula Harmon & Liz Hedgecock

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Words copyright 2018 by Paula Harmon. Book Cover by Liz Hedgecock (all accreditations within the book). All rights belong to the authors and material may not be copied without the author’s express permission. 

Dear Travel Journal

It’s day three and I’m not sure future generations will ever believe my record of commuting in 2018. Travel is supposed to broaden the mind but it’s just making me lose mine.

Today is typical. I drove to catch the 6:45am train and I came across a group or (to use the proper collective noun) ‘murder’ of crows in the middle of the country road. One which was too idle to take off in time met its maker at 60 mph, showering my car in sinister feathers. My question is: if I’ve murdered a crow in a murder of crows am I a double murderer?

Somewhat rattled, I got to the station in time but to no avail. I know I live in the country but it’s still absurd when your train has been cancelled due to bird strike on the driver’s window. And that bird was a pheasant.

The 6.45 being out of action, the next departure was also delayed because, according to a weary announcement, there were ‘two lads who are refusing to pay for their tickets and until we get them off the train, we’re not leaving.’ Wherever the excitement was, it wasn’t in my carriage and despite everyone craning over each other to look out of the window, we never saw the miscreants being hauled off which was a shame as it would have livened things up. Perhaps it was no wonder that after that, when we finally got moving, the person in charge of the train wasn’t sure where we were. ‘Ladies and gentlemen, this train will shortly be arriving at …….’ Very long pause…Eventually an automated tannoy announcement came on. I wasn’t really listening to the destination list until it said ‘next station Axminster’ which is in the wrong direction. No one else in the carriage seemed to notice (probably, like me, busy trying to get the free wifi to connect). I looked up and the information doodah screen definitely said the next station was Andover. I spent the next half an hour in a state of mild anxiety but eventually Andover rolled into view. After that, they seemed to have changed the tape.

I got a drink from the trolley to calm my nerves, took a swig of tea and discovered it was coffee. Yuk. The next unpleasant thing was realising someone in the carriage was constantly but silently breaking wind and knowing they might be doing it all the way to London. Luckily, he seemed to get off at the next stop, or else just ran out of methane. But when I got up to put my tea, or rather, coffee container in the bin, I got back to witness an otherwise attractive young man picking his nose. He then ate it. Perhaps he considered it to be breakfast.

A bit later, a glamorous young woman got on. She started by fixing her enormous pseudo beehive with hairspray. Yes. In the carriage full of people. Shortly after that, she sharpened her talons with an emery board. It sounds like nails on blackboard and bits of shavings went everywhere.

I averted my eyes to the view out of the window but when at the next stop, a man sat next to me and started crocheting, I ended up mesmerised by his creation. So I was still looking when he put the wool down and started scrawling a list instead. It appeared to say:

  1. Cheese
  2. Fluffy PJs
  3. Bedsocks
  4. Pillows
  5. Travel rabbit

Now, I’m fairly sure that the last item was travel tablets scribed in bad handwriting, but you never know. I wonder (apart from anything obvious) what a travel rabbit could be. I may have to write a story.

Oh but the joys of an early morning commute in midwinter. The squelchy sneezes, the coughs full of enough catarrh to coat the back of a spoon, the sniffs, all the germs joyfully mingling when it turned out the train was three carriages short and the virus laden bodies were crammed up against each other in a proximity British people abhor unless newly in love. Ah the joys of finding the train journey will take an extra 40 mins due to a sick person in another train at Clapham Junction. I mean why? What could we do about it?

And then the journey stopped completely due to signalling problems. Apparently trains were being signalled through one by one by hand. I am not sure what this means but had visions of The Railway Children waving a petticoat. I suppose it can’t be the same as the average modern petticoat is too flimsy to re-direct a train.

So that was then. Somewhere in between there was a day at work (same old same old) and then I started home.

I was slightly worried to start with because the announcer on the train sounded French. Initially I wondered if I had been transported, without noticing, from London to Paris or, in fact, to the other Waterloo? (Is the other Waterloo French speaking? Quick internet search…. Yes I think it is). Anyway, I was ALMOST sure I heard Salisbury being mentioned as a destination, so I thought I should be safe. Bit of a shame really, I wouldn’t mind finding myself in Belgium instead and from thence, after a bit of sight-seeing, on a south-bound train to the Côte d’Azur.

At the beginning of the journey, I sat next to a dainty looking young woman who turned out to be eating a burger bigger than her head. It was a bit grim to watch and worse to smell but I managed to move across the aisle to give her elbow room while she shoved it down. I thought her jaw might dislocate at one point. Meanwhile some loud man was holding forth about politics. He sounded like someone from a thirties gangster movie and was trying to get the postal address and photo of another passenger who managed to escape at the next stop (and I have a feeling he didn’t even really want to get off there). As the train pulled off again, the burger-girl dropped the last bits of fast food on her black trousers. I was so glad I’d moved. My dress wouldn’t have been improved by ground beef, ketchup and mayo.

For the next half hour our carriage was invaded by a loud group who had been chucked, effing and blinding out of the ‘quiet’ carriage. The loudest one yelled ‘I’m gonna complain to the train company! What’s the point of quiet carriages? Who wants to be quiet on a train?’ It sums up the average Briton’s sang-froid (or distaste for confrontation) that despite the fact everyone else was thinking ‘me – I want to be quiet’, all anyone did was tut and roll eyes at each other.

Meanwhile, burger-girl was replaced by a series of quiet but revolting people. Taking her place across the aisle was someone scratching and scraping flakes of skin onto the seat next to him. Someone somewhere else was breaking wind. Then a small man sat down beside me and stuck his elbows out. Shortly thereafter, he ate crisps and a ripe egg mayo sandwich loudly WITH HIS MOUTH OPEN and drank tea with slurps worthy of a drain clearing machine. The phantom farter upped his or her game and this added to the effluence of the egg sarnies. I would have been sick, but there wasn’t enough room. When the passengers thinned out, the mouth-open-slurper did go off to another seat, but not before kicking most of his rubbish onto the floor. Lovely.

I might have relaxed then but was busy restraining myself from standing up, leaning over the seat behind and telling the girl sitting there that if she persisted in saying “like” every third word I might have to kill her. I imagined that if I did, she’d just say “so I’m just like sitting here and you’re like being so like aggressive and like I think like killing me is like illegal or like something”. And it was all too exhausting, so I didn’t.

And now, with just 40 minutes to go, the train has just stopped in middle of nowhere. Apparently there is a cow on the line. We have to wait while a railway manager with herding experience gets her back into the field and stands guard at the side of the railway to keep her from being turned into mincemeat. Although quite possible burger-girl would lick the tracks.

Dear Travel Journal. As I say, no-one would ever believe this. I think I may have to change your function and turn you into a fantasy novel in which all the heroine wants to do is get home and is thwarted in every chapter by almost insurmountable challenges and drooling monsters.

It would probably seem more plausible than anything that’s happened today.

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Words and photograph copyright 2018 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

If you want to read the story I wrote about ‘The Travel Rabbit’ you’ll have to check out this book!

Pumpkins!

‘Pumpkins! I ask you – pumpkins!’

‘Woss wrong with pumpkins? They’re orange. They’re effsfetic ent they?’

‘They’re not traditional though, are they?’

‘Ent they?’

‘Nope. You know the legend doncher?’

‘Er…’

‘The one about Jack.’

‘Jack wot climbed the beanstalk?’

‘Could be… anyway…’

‘Jack wot built the ‘ouse?’

‘Maybe…anyway…’

‘Jack wot went up the ‘ill with Jill and fell down and broke ‘is crown?’

‘ANYWAY….Jack sold his soul, see?’

‘Probably needed to raise the cash to build an ‘ouse. Costs a fortune that does.’

‘Whatever, but the thing is, the thing is then he got scared of the dark.’

‘Probably behind with the ‘leccy bills what will spending all ‘is cash on building an ‘ouse and buying beans and that.’

‘Well anyway, so then he made a lamp out of a turnip.’

‘Why?’

‘Dunno.’

‘Well, that can ‘appen when you falls down and breaks your crown. You can go a bit doollally. No amount of vinegar and brown paper’s gonna sort out brain trauma.’

‘Yeah well, anyway, he roams he does, Jack, looking for his lost soul or summat. So other people started to make lamps outta turnips too.’

‘Why’d they do that? Had he started a sort of franchise?’

‘No it was reverse physicilology or summat.’

‘Wossat then?’

‘No look listen, people made lanterns out of turnips and put them outside their houses to scare Jack away.’

‘Why turnips?’

‘Takes a real man to make a lantern out of a turnip. Turnips is hard. All that digging with a teaspoon – only a real man can do that and then when they eats the innards their farts can blow the scales off a lizard.’

‘Spect Jack was used to that what with the beans from the beanstalk an all.’

‘Wot you on about?’

‘Wot YOU on about?’

‘Well the thing is – it was TURNIPS! It was turnips till a few years ago. Then suddenly, it’s pumpkins everywhere and turnips don’t get a look in. And what am I?

‘You’re a turnip.’

‘Dead right. And what are you?’

‘I’m a turnip.’

‘You certainly are. So that’s why I’m mad. Blinking pumpkins. Coming over here, taking our jobs. It’s a liberty that’s what it is. A blinking liberty.’

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Words and photograph copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

The Tale of a Tale

By 2009, I had sort of given up on any ideas of writing. What with work and young children and the aftermath of a stressful house/job/school move from Gloucestershire to Dorset, there just wasn’t time.

My father however, couldn’t stop making up stories. Every few months, he’d ask me to read a new novel, in which unlikely people had unlikely adventures in futuristic worlds. They were always good fun, although Dad’s feelings towards editing was much the same as his feelings towards decluttering (unnatural and diabolical).

One day, I said ‘why don’t you write about yourself or someone like yourself?’ and he said ‘because it’s boring. If you think you could make up a story about an old fogey in a wheelchair, be my guest.’

Dad was not your archetypal old fogey really. By this time, he had chronic arthritis but it didn’t stop him. If he thought a building wasn’t sufficiently adapted for wheelchair users, he would very politely explain this at length to the owner or anyone handy. On one occasion he visited in a café in my local (Georgian) town and finding the step awkward and the doorway narrow, popped out to get an Argos catalogue to show a café proprietor what ramps were available at a reasonable sum. The café closed down a few months later. I don’t think there’s a connection. He rushed around in either a scooter or electric wheelchair, regardless of anyone else’s feet or the suitability of the pavement. If he couldn’t be doing with the pavement, he’d drive down the middle of the road instead. One day Dad drove his wheelchair round a blind corner in the middle of Weymouth at four miles an hour with me and my sister running behind, shrieking at him to slow down. On another occasion, he lowered himself out of the wheelchair onto the pavement in order to take a ‘really good photograph’ of passing cars. My mother had to explain to concerned passers-by that he hadn’t collapsed and was technically quite well. I realised then that my father would embarrass all of us for as long as he could and I might as well accept it.

So there was the challenge: write about an old fogey in a wheelchair.

I still don’t know where the idea came from, but the whole story, just as unlikely as any of his, popped into my head as I was in the supermarket and I came straight home and wrote it on the computer in the freezing cold front room. It was called ‘Coffee at Tiffany’s’.

Shortly afterwards I wrote a second story: ‘Katie is a Cat’. This was inspired from the rainy day when I crossed Westminster Bridge and saw on the other side of the road two people, one of whom was in a wheelchair. So far so normal. However, they also had a cat in a basket on the wall behind them. Trust me, that’s not usual for central London at rush-hour.

A few years passed and Dad became very ill. I decided to write another ‘old fogey’ story for his birthday, but it just wouldn’t quite come. By June 2012, Dad was in hospital undergoing tests, totally exhausted but still writing. I dug out the ‘old fogey’ story and tried again. It would be a Father’s Day present. But I couldn’t find the happiness I needed to write something silly and put it back to one side. My sister and I arranged a photograph of all four grandchildren instead but he never saw that either. Dad died two days before Father’s Day.

Well, more years passed and Mum kept saying how much she’d liked those two silly stories and I remembered the others which I’d started and not finished. And I recalled the little bits of writing I’d done as a sort of outlet for grief. And I remembered all the fun we’d had with Dad when we were children. Then I realised Mum’s 80th birthday was coming up.

It took me months and a lot of secrecy. It took a lot of asking Mum odd questions about things which happened a long time ago (without telling her why), digging out old photographs, writing on trains, getting exasperated, feeling emotional.

When I decided to illustrate the book, I asked Mum, as if from idle curiosity, whether she had any of Dad’s drawings. She dug out a story Dad had written for my sister which I’d thought was long lost. There was his sketch from all those years ago, of a startled squirrel pegging out her washing, being confronted by an eagle. As you do. Fortunately it was the typed version, as no-one could read Dad’s handwriting. Even Dad.

Somehow, pulling all these elements together, I wrote a book. The parts based on real events proved to be harder to write than any of the fantasy sequences. Life is not narrative, with a beginning, middle and logical conclusion. In the end, I stopped bothering trying to make it accurate and just started having fun instead.

And finally, with a few days to spare, I had a proof copy to give to Mum for her 80th birthday as a total surprise.

And now the book is published for sale.

‘The Cluttering Discombobulator’ is a celebration of my father: hero, eccentric, adventurer and story-teller to the end.

Part memory, part fantasy, it’s the story of an eccentric father with hero-worshipping little daughters and the adventures he has in his imagination when those girls turn into boring middle-aged women who need to lighten up.

‘Don’t worry,’ said Dad, ‘everything will be fine.’

And do you know what Dad? Somehow it is.

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Words and illustration copyright 2017 by Paula Harmon. All rights belong to the author and material may not be copied without the author’s express permission

Click here to buy ‘The Cluttering Discombobulator’

Memories